Here's one account of a satisfied GMG customer:
http://www.rodsandcones.com/about/success_stories_macys_ew.html
I didn't bother logging in to GMG's press area, but there might be more
there. You can also try calling your GMG rep.
-jeff
________________________________
>
> From: Steve Lehning [mailto:email@hidden]
> Sent: Mon 8/15/2005 1:42 PM
> To: email@hidden
> Subject: Documentation on proofing systems
>
>
>
> We have switched our proofing systems about a year
> ago. We use to have a high dollar, high end, dot proof
> system. We have since taken the plung and went to
> Epson Ultra chrome ink proofing, using GMG Rip. We
> have finger printed our presses and bulit device link
> profiles for our GMG Rip to produce a good proof to
> press match. However we are going through our battles
> trying to explain to our own sales staff and customers
> why we did this. Allot of our high end clients are
> from the old school and demand to see a hard dot dot
> proof, (example, Matchprint, Kodak Color Approval, or
> Fugi Color Art, etc.). Even using the dot proof
> function out of GMG does not produce the dot that they
> are looking for. We have recently added onto our sales
> staff who have come from such places that specifically
> used these proofing systems and want answers as to why
> we have gone this route. I can obviously write some
> sound answers of my own but they are looking for some
> documentation that may carry alittle more clout in the
> industry than my humble position within our company.
> So I am asking for some help from those authorities or
> someone who may know where I can be led to find such
> documentation as to why the industry is going down
> this path for proofing.
>
> Thanks for any help in advance.
>
> Steve Lehning
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Jeffrey Cunningham
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