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On 5/19/05 1:22 PM, "William Hollingworth" wrote:
> With either option, the more you change the white point away from the > display's native white point, the more displayable levels you loose in the > process. That is why there is a need for 10 bit LUTs and true 10 bit LCD > panels.
That being so, and considering how Photoshop uses profiles and it's Display Using Monitor Compensation, would it be preferable to leave the display "native" and adjust in the application? I was under the impression that at least with Photoshop, this is done with 21 bit precision.
> The upcoming NEC LCD2180WG LED based wide color gamut display uses > individual red, green and blue LEDs as the backlight source. The intensity > of each LED color can be controlled individually so the display's white > point can be adjusted without having to modify the display's internal or > host PC's LUTs. That means that:
Now you're talking! When, how much (if you can say).
> 2. The black point of the display will also vary with the white point setting.
Can you have control over both so that in essence you can like the Artisan set a contrast ratio?
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| References: | |
| >Re: White point for LCD (From: William Hollingworth <email@hidden>) | |
| >Re: White point for LCD (From: Andrew Rodney <email@hidden>) |
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