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Re: high quality audio output



I think we're getting pretty close to off-topic here.  It is well-established  
that the output from CoreAudio is bit-accurate compared to any lossless file  
played.  It's doubtful that you're going to discover anything at all by writing  
an output device driver that saves output data to a file.  What would be more  
useful is to record optical input data to a file, and connect your CD player to  
the Mac mini.

I suspect that your CD player has oversampling and digital filtering which is  
altering the data there.  It may even be converting from 16-bit to something  
higher like 24-bit, in order to resolve the filter.

Note, I wasn't suggesting a TOSLINK analyzer, but merely a digital recorder  
with TOSLINK input.  You're really just fine using the Mac mini input.  Writing  
some code to compare the recorded data to your original file will be far, far  
easier than writing an output device which saves to a file.  Do not  
underestimate the diffilculty of determining whether the resulting file equals  
the original file.  TOSLINK has no file start or file end markers to bound your  
saved files.

Regarding your questions about my experience, I'm not talking about technical  
differences, but perceived differences in the audio.  Yes, S/P-DIF is nearly  
the same as AES/EBU, but I blame the clock more than the format.  I am not  
using optical for the comparison, yet, but you've inspired me to test that, too  
(although I have used up my optical inputs for HDTV and PlayStation :-).  I am  
comparing coaxial digital to balanced digital.

Brian Willoughby
Sound Consulting


Begin forwarded message:

My DAC does reclocking, so I hope the clock will not be the main reason for  
the difference.

It would be great to have a Toslink analyzer like Brian Willoughby is  
suggesting, but quit a bit of work.  I was thinking of an output device for the  
macMini that is not sending the samples to the SPDIF port, but to a file. Or  
better, to both the file and port. Then I could check the file data agains the  
original wav file.

Can this be done? Or does it exists already? I do not know enough about the  
Apple audio architecture (yet).

Using the optical input may be the easiest way to go. I agree it is a little  
dangerous to use the macMini to test itselfs.  But when the resulting file  
equals the original file, I think it is must mean that the data on the optical  
wires is the same too.  Or not?

And Brian:
About the difference in AES/EBU versus S/P-DIF differences where  you are  
talking about, I'm a little confused. Isn't S/P-DIF (almost) the same as  
AES/EBU?  Or do you mean copper when saying AES/EBU and optical when saying  
S/P-DIF?  I know that for the serial protocol the clock is recoverred by  
checking one particular signal edge in the protocol.  Depending on the bandwith  
of the connection and medium, jitter will be added because of the inter-symbol  
interferention.  For optical (lower bandwith) this will be worse. Maybe this  
can explain the difference in your case?

Regards, Cor
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References: 
 >high quality audio output (From: "Cor Jansen" <email@hidden>)
 >Re: high quality audio output (From: Olivier Tristan <email@hidden>)
 >Re: high quality audio output (From: Stephen Davis <email@hidden>)
 >Re: high quality audio output (From: "Cor Jansen" <email@hidden>)
 >Re: high quality audio output (From: Brian Willoughby <email@hidden>)
 >Re: high quality audio output (From: "Cor Jansen" <email@hidden>)



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