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DIGI-BETA is already Digitized, hence the 'DIGI' in the name.
You could use a Pinnacle CineWave, Digital Voodoo, or other capture card
that can capture SDI uncompressed, and add no additional artifacts to
the video. Then transcode the resulting QuickTime, uncompressed file
into DVD compliant MPEG. (Because DIGI-BETA is also MPEG 2)
Thus, a Hardware encoder does not necessarily have an advantage over
software in this regard.
PS - The guys at 'The Orphanage' thought the quality of Apple's encoder
was good enough to use it on a DVD for their films, which they gave away
at Sundance.
Bill Kuper wrote:
But remember even if the source is telecined Digibeta, it still has
to get "digitized" before Apple's MPEG encoder can do anything with
it. Whether that's DV or with some other form of compressed video
capture, it's less than optimal, and feature films would never be
done this way.
With hardware compression, the video is going straight from the
source to the MPEG chips. And good hardware can make even 3.0 Mbps
look good (and that's well over two hours on a DVD-5).
IMO, software encoding is great for short stuff and stuff which is
computer generated (Quicktime files from AE, etc.).
regards,
bk
At 9:06 AM -0700 4/23/01, Daniel C wrote:
>. As far as quality,
>I suggest to you that if you obtain the
>highest quality telecine transfer from
>film to DigiBeta, you have nothing to
>worry about (even if you lower the bit
>rate to fit two hours in one disc).
>
>So, to summarize:
>Quality In>Quality Out
>
>If you happen to visit Santa Monica,
>California, you are welcome to drop by
>my Studio, for more info go to:
>http://www.dvdartstudio.com
| References: | |
| >Re: quality question (From: "Daniel C" <email@hidden>) | |
| >Re: quality question (From: Bill Kuper <email@hidden>) | |
| >Re: quality question (From: DVD Studio Pro <email@hidden>) |
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