I don't think there's any perfect solution.Some practices that can help:1) Never make a one sided adjustment. Rock in the adjustment amount back and forth from too much to too little, gradually reducing to find the sweet spot. If necessary, make a few copies with a range of adjustment and review later.2) Use a different but similar type of image with adjustments that have remained looking good to you over time as an "anchor " for side by side comparison with your new image.As someone who worked in TV receiver design, video image evaluation, etcetera for 50 years, I can say for sure that there's no fixed answer to "too much or too little." Even with all variables controlled it's still a matter of taste, and influenced by peer opinons as well. The major TV manufacturers all developed individual styles of picture sharpness vs resolution vs smoothness of edges.Sent from my Galaxy -------- Original message --------From: Louis Dina via colorsync-users <colorsync-users@lists.apple.com> Date: 12/5/22 3:01 PM (GMT-07:00) To: colorsync-users@lists.apple.com Subject: Defeating Eye Adaptation I'm curious how others deal with "Eye Adaptation" when editing images. Thelonger we stare at the monitor, the more "normal" the image appears. Oureyes adjust and often fool us, at least they do me. It may be too bright,dark, contrasty, flat, over or undersaturated, etc. Sometimes I think theimage looks great, but when I come back after 5 minutes, obvious neededchanges scream out at me.So, what do you do to defeat eye adaptation?Thanks, Lou _______________________________________________Do not post admin requests to the list. They will be ignored.colorsync-users mailing list (colorsync-users@lists.apple.com)Help/Unsubscribe/Update your Subscription:https://lists.apple.com/mailman/options/colorsync-users/waynebretl%40cox.net... email sent to waynebretl@cox.net