On Jul 21, 2011, at 7:36 PM, mail@iccimagetec.com.au wrote:
Thanks Mike and others for confirming what I thought was an issue. I would be interested in hearing from anyone who works in archive or museum departments on how they deal with this issue on a day to day production basis.
I'd be interested in having $$ info added to comments on this so some concept of the cost of a "turnkey" solution would become evident over time. Obviously where money's no object there are products out there now that can effectively reduce the variations in spectral response from a wide variety of target subjects. My professional experience was limited by budget constraints on capital expenditures that effectively consigned my efforts to 'advance amateur' status. It take's some file fiddling to get an acceptable result using $10,000 worth of hardware & software compared to what's possible when you have ten or more times that much to spend.