Hi Scot. Sorry, but you seem to be mis-quoting me. (you left out the context.) I wrote… "And In my experience, on the right image, the option to print Absolute colorimetric can make a significant improvement in the appearance of the print. Compared with relative, perceptual or saturation options.” I am happy to explain. But not just now. I am in the middle of grading images for an artist retrospective. In the mean time I could send you my current Epson 7900 CMYK printer profile for Ilford Gold Fibre Silk if you like. (Generated with Xrite i1Profiler). You could then use it to soft proof using the various rendering intents yourself. Just contact me off list. I’ll explain details of what i do later when I am free if you like. In the meantime I am _very_ keen to hear what you do in “tweaking” in perceptual profiles in i1Profiler. Sounds really interesting! Best Regards Peter Miles On 13/07/2016, at 11:17 am, Scott Martin <scott@on-sight.com<mailto:scott@on-sight.com>> wrote: Wow, that strikes me as being pretty unusual. I'm a big fan of Monaco Profiler's and now i1Profiler's perceptual rendering (and ability to tweak it when generating the profile) for photographic purposes. Can you describe what characteristics you are seeing with AbsolCol that you prefer over i1P's Perceptual? Scott Martin (from phone) www.on-sight.com<http://www.on-sight.com> On Jul 12, 2016, at 5:54 PM, Miles, Peter <P.Miles@massey.ac.nz> wrote: the option to print Absolute colorimetric can make a significant improvement in the appearance of the print. Compared with relative, perceptual or saturation options.