I don't see an explicit mention of checking the out-of-gamut warning display in Photoshop in concert with your printer profile. Have you tried this? I have one image with a background that could be described as colored similar to desert sand which is mapped to green or blue with my profiled printer. While in this case it's an acceptable rendering, I'm still figuring out how to predict the color moves necessary to predictably bring the background into gamut. Pete On Tue, May 8, 2012 at 2:44 PM, Millers' Photography L.L.C. < digitalimaging@dnmillerphoto.com> wrote:
Need advice and help. I will start with what I am using: EOS 1Ds MK II; UV coated tubes in two White Lighting, Ultra 1800's; polarizing filters on lights and camera lens; EF Micro 100 mm L. OS 10.6.8, PS CS 5 extended. Epson Pro 9600 with matte black ink. Substrate for this client is Moab Entrada Brite. Printer, substrate, and inks custom profiled by me using i1Publish version 1.3.1. i1Pro version "D".
Lens/camera/illumination custom profiled with Classic ColorChecker as well as he ColorChecker Passport. Everything converted to DNG. I only use Adobe DNG profile editor to create the custom camera profile.
Also did image capture with natural light and polarizing filter on same lens.
MBPro 17" with non glare display. MultiSync PA271w, custom profiles with SpectraView.
My issue: ColorChecker Passport as well as ClassicColor Checker targets look fine on display and on print. So does two different white balance targets.
Most of the captured image of the original art appears fine. Exception is the desert sand/dirt.
I have imaged this original probably eleven (11) times. Studio flash, and natural daylight coming into the studio. Different exposures. The targets are in most of the image files, and sometimes alone.
In PS CS5, camera raw, I have attempted various adjustments. First, exposure. Temperature, and other features. Then I open in PS. Immediately choose the printer profile, and continue to fruitlessly modify image. I do have a client, artist, that knows how to use selective color (much better than me). She will be in my studio next Monday.
I suspect the original art pigments along with the 1Ds Mark II sensor is part of the issue. What do you think?
Should another forum be more appropriate, please tell me which one.
I thank you all, in advance for your advice and guidance.
Cheers
David B. Miller, Pharm. D.
David B. Miller, Pharm. D. member Millers' Photography L.L.C. 3809 Alabama Street Bellingham, WA 98226 360 739 2826 digitalimaging@dnmillerphoto.com Sent from my MacBook Pro
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