Ben implies the viewing environment has to be the most difficult to predict and control and I would agree. The technical limtations of 'affordable' lighting may be a factor but convincing the affected parties that it is a worhtwhile investment along with other contributors to the ambient viewing conditions is probably the biggest obstacle. Mark On Fri, 10 Jun 2016 at 00:56 Ben Goren <ben@trumpetpower.com> wrote:
On Jun 9, 2016, at 3:13 AM, Jan-Peter Homann <homann@colormanagement.de> wrote:
For some projects, they want to share screens and discuss live color corrections.
As a last-ditch kludge if you can't get any screensharing applications to play nice, if you've got the bandwidth to share screens, you've also got the bandwidth to toss JPGs back and forth. And since most screensharing applications have built-in file transfer, it shouldn't even be all that awkward.
"Tone down the oranges and send me the results...hmmm...split the difference and let me see it again. Perfect!"
...but it's also worth mentioning the effect the surrounding environment can have. If one end is in a dim editing studio with neutral-colored everything and the other is in a cheery, sunny, colorful office....
Cheers,
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