Thanks for the info Tom & Graeme. From the research I did I read a fair amount about the Rec. 709 standard and saw that it seems really close to sRGB. I was surprised when the guy behind LightIllusion claimed it was a much higher standard than used in the stills industry. From there most of what he was saying seemed to rely on buzz words and claims of superiority while providing very little in the way of specifics. This past Spring I took a class in high end compositing using After Effects. The teacher was a senior compositor at one of the top VFX shops in the LA area and again I was surprised at the haphazard way color management is used in the motion side of our industry. It really seems that the implementation of color management is about 10 years behind the stills side and while I recognize there are a lot of complicating factors it still seemed shocking that it's so poorly implemented. As I learn more about the motion side these questions keep coming up and it's good to know this list can be a resource for getting some of them figured out. Thanks! Dennis Dunbar Blog: http://www.dunbardigital.com/blog/blog.php Website: http://www.dunbardigital.com Twitter: http://twitter.com/DennisDunbar