Roger, However you will see that effect in the Hahnemühle Baryta FB 350, a magenta cast, that is the result of OBA blue emission + red reflection and little green+yellow contributing to the paper white. Chromatic adaption can not cope with it. Epson Double Weight Matte paper has a similar spectral plot but less pronounced. Met vriendelijke groet, Ernst Dinkla Grafische Techniek Quad, piëzografie, giclée www.pigment-print.com On Sun, Jun 23, 2019 at 6:48 PM Roger Breton via colorsync-users < colorsync-users@lists.apple.com> wrote:
Finally got hold of a fresh sample of Epson Doubleweight Matte paper.
Here is a link to its measurements, in Excel.
https://1drv.ms/x/s!AkD78CVR1NBqkLVN8r7LgHiGqxRYZg
In M1 mode, I believe it's going to be sufficient to carry my humble color separations experiments :
CIE Lab D50/2 (KonicaMinolta FD-7)
93.86
2.53
-8.01
Thank you all for your kind and patient help / Roger
P.S. "Funny", this paper appears to have a slightly "reddish" tint. Of course, it does not appear "reddish" to me, because of chromatic adaptation, no matter what lighting I observe it under.
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