Re: i1Profiler linearization
Perhaps my attention span is deficient and I've just missed something, but what is the actual objective here? To produce a better profile in the first place by improving the linearity of the printer output or returning output to a baseline via recalibration? The two may be treated together though in most instances with inkjet printers they are distinct concerns. As Terry points out, the linearization in i1P has nothing to do with calibrating devices but is designed to assist in the profile creation process. I don't think this addresses the original question. If the only concern is making a good profile, linearization does not need to be perfect by any means: Pretty good is good enough, and the profile should straighten out any remaining kinks. It should go without saying that great attention should be paid in RIPs to ink limiting, as this directly impacts profile quality. Scott may overstate the credentials needed for this, but it's best left to those who do it regularly and have had a bit of training especially if the materials are difficult to ptint on. Recalibrating color that has drifted is a far more interesting subject, and there are various solutions. They fall roughly into three categories: pre-profile, reprofile, and post-profile.Typical "relinearize" routines are in the first category. They treat the unprofiled output of each color channel. The idea is that inkjet printers drift in only one way: printheads deliver more or less color in each channel; correct the individual color channels back to a baseline and all colors will fall into place--the profile will be revalidated. IN some cases, the ink limits are readjusted as well. This is sometimes called a 2-D correction, as it does not directly treat the aggregate result. The shortcoming is that it isn't accurate enough to correct slight CMY gray balance variations that can still be objectionable. It works well enough for larger corrections. A variation on this is a 3D approach that also predicts the resulting CMY gray balance of the suggested channel adjustments. Onyx appears to have implemented this approach, which is well established in the offset press world (Curve3, Bodoni PressSign, Alwan Print standardizer, et al). The reprofiling approach is self-explanatory. It should be noted that if solid ink values have dropped below an acceptable level because of clogged heads or other issues this must first be addressed as the new profile cannot correct this. Reprofiling is time-consuming and not generally used in the heat of production. Finally, there are the recalibrations based on measurement and correction of profiled output, another "3D" approach. These can be in the form of a Lab correction LUT inserted before the output profile or a device link. This is a lot like reprofiling but can preserve the precision of the original profile and gently nudge all the data points with smooth curves. Very small charts may be used, so this approach can be used in the midst of a job. I personally favor this approach for inkjet printing. It is highly accurate and fast. Mike Strickler MSP Graphic Services
Not sure what I'm getting into…….seems to me, and this is what I do, is, re-profile my substrate/printer/ink routinely. Well, three times a year. I admit, I have no idea what linearization is. Though, I am reading about it on the web. I use i1Profiler, i1Pro version D. Cheers, David David B Miller, Pharm. D. member Millers' Photography L.L.C. dba Spinnaker Photo Imaging Center Bellingham, WA www.spinnakerphotoimagingcenter.com 360 739 2826 On Aug 6, 2013, at 12:19 PM, Mike Strickler <info@mspgraphics.com> wrote:
Perhaps my attention span is deficient and I've just missed something, but what is the actual objective here? To produce a better profile in the first place by improving the linearity of the printer output or returning output to a baseline via recalibration? The two may be treated together though in most instances with inkjet printers they are distinct concerns. As Terry points out, the linearization in i1P has nothing to do with calibrating devices but is designed to assist in the profile creation process. I don't think this addresses the original question.
If the only concern is making a good profile, linearization does not need to be perfect by any means: Pretty good is good enough, and the profile should straighten out any remaining kinks. It should go without saying that great attention should be paid in RIPs to ink limiting, as this directly impacts profile quality. Scott may overstate the credentials needed for this, but it's best left to those who do it regularly and have had a bit of training especially if the materials are difficult to ptint on.
Recalibrating color that has drifted is a far more interesting subject, and there are various solutions. They fall roughly into three categories: pre-profile, reprofile, and post-profile.Typical "relinearize" routines are in the first category. They treat the unprofiled output of each color channel. The idea is that inkjet printers drift in only one way: printheads deliver more or less color in each channel; correct the individual color channels back to a baseline and all colors will fall into place--the profile will be revalidated. IN some cases, the ink limits are readjusted as well. This is sometimes called a 2-D correction, as it does not directly treat the aggregate result. The shortcoming is that it isn't accurate enough to correct slight CMY gray balance variations that can still be objectionable. It works well enough for larger corrections. A variation on this is a 3D approach that also predicts the resulting CMY gray balance of the suggested channel adjustments. Onyx appears to have implemented this approach, which is well established in the offset press world (Curve3, Bodoni PressSign, Alwan Print standardizer, et al).
The reprofiling approach is self-explanatory. It should be noted that if solid ink values have dropped below an acceptable level because of clogged heads or other issues this must first be addressed as the new profile cannot correct this. Reprofiling is time-consuming and not generally used in the heat of production.
Finally, there are the recalibrations based on measurement and correction of profiled output, another "3D" approach. These can be in the form of a Lab correction LUT inserted before the output profile or a device link. This is a lot like reprofiling but can preserve the precision of the original profile and gently nudge all the data points with smooth curves. Very small charts may be used, so this approach can be used in the midst of a job. I personally favor this approach for inkjet printing. It is highly accurate and fast.
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Well, with the RGB workflow the linearization and ink limiting was done for you by the manufacturer. All you had to do was pick the appropriate media setting. And in general, the way you recalibrate is in fact to make a new output profile. This should have been explained earlier. The Epson 9900 is an extremely stable machine: I operate remote proofers around the world and find that they vary no more than about 1dE76 over the course of a year--so I am not surprised that you need to reprofile so seldom. That being said, certain printers do have user-accessible relinearization/re-ink limiting--The HP Z-series and Canon iPF 63/64xx printers come to mind. These are density-based calibrations of the CMYK(+N) printer output. One should do this prior to making a profile, but the reason is not so much to make a better profile but to establish a baseline that one can correct back to by recalibrating. These thermal printers do tend to drift more than the piezo printers, so there is more justification for this extra feature. Mike Strickler MSP Graphic Services On Aug 6, 2013, at 5:01 PM, Spinnaker Photo Imaging Center wrote:
Not sure what I'm getting into…….seems to me, and this is what I do, is, re-profile my substrate/printer/ink routinely. Well, three times a year. I admit, I have no idea what linearization is. Though, I am reading about it on the web.
I use i1Profiler, i1Pro version D.
Cheers,
David
David B Miller, Pharm. D. member Millers' Photography L.L.C. dba Spinnaker Photo Imaging Center Bellingham, WA www.spinnakerphotoimagingcenter.com 360 739 2826
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Mike Strickler
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Spinnaker Photo Imaging Center