For proofing you should be using Absolute Colorimetric, or RelCol with BPC turned off. On 8/1/13 12:00 PM, "colorsync-users-request@lists.apple.com" <colorsync-users-request@lists.apple.com> wrote:
many thanks for your answer. I tried the profile conversion before I posted
my question but it seems that I cannot imitate the "simulate black Ink" feature of the soft proof by this method. If I use rel col the contrast is much too high compared to the soft proof. With perceptual rendering the contrast looks more similar but is still a little too high. Would you recommend to use the curves tool to adjust the black values of the converted image or is there any other trick?
Amen. / Roger -----Original Message----- From: colorsync-users-bounces+graxx=videotron.ca@lists.apple.com [mailto:colorsync-users-bounces+graxx=videotron.ca@lists.apple.com] On Behalf Of Chris Cox Sent: Thursday, August 1, 2013 6:40 PM To: colorsync-users@lists.apple.com; colorsync-users-request@lists.apple.com Subject: Re: Proof Colors in Photoshop For proofing you should be using Absolute Colorimetric, or RelCol with BPC turned off.
participants (2)
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Chris Cox
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Roger Breton