I wrote an app for iPhone and iPad. Information can be found at http://www.boscarol.com/en/deltae/. There is also a free AIR version. See http://www.downloadplex.com/Linux/Adobe-AIR-Apps/Graphic-Apps/Publisher-delt... Mauro Boscarol
I'm looking for a spectrophotometer that can measure non flat surfaces. Small round cylinders about the size of a pencil. Is there anything on the market that is capable of this? -- Steve Miller Color Management Specialist "Quality Begins Here" BIC Advertising & Promotional Products 1000 3rd Ave. SW Sleepy Eye, MN 56085 Tel.: (1) 507 794 8203 E-mail: slmiller@norwood.com www.norwood.com / www.bicgraphic.com CONFIDENTIALITY NOTICE This electronic message is confidential and may contain legally privileged information intended only for the use of the individual or company named above. If the reader of this message is not the intended recipient, or the employee or agent responsible to deliver it to the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communications is strictly prohibited. If you have received this communication in error please immediately notify us by telephone, and return the original message to us at the address below. IRS Circular 230 Disclosure: As provided for in Treasury regulations, advice (if any) relating to federal taxes that is contained in this communication (including attachments) is not intended or written to be used, and cannot be used, for the purpose of (1) avoiding penalties under the IRS Code or (2) promotion, marketing or recommending to another party any transaction or matter addressed herein: Norwood & BIC Graphic, 14421 Myerlake Circle, Clearwater, FL 33760. www.norwood.com / www.bicgraphic.com
What would be the best direction to go with the following press paper and proofing paper? Use uv cut filter or not. Proofing paper L*a*b* values measured without UV cut. No UV filter. L= 96.38 a= 1.83 b= -8.02 Press paper L*a*b* values measured without UV cut. No UV filter. L= 93.80 a= 1.76 b= -8.20 Both the proofing paper and the press paper appear to have optical brighteners as seen under a black light. I'm planning on doing a G7 calibration. Creating a profile of the press after G7 calibration and creating a proof to match the press using the press profile. With both papers having optical brighteners, what would be the purpose of using a UV cut filter? -- Steve Miller Color Management Specialist "Quality Begins Here" BIC Advertising & Promotional Products 1000 3rd Ave. SW Sleepy Eye, MN 56085 Tel.: (1) 507 794 8203 E-mail: slmiller@norwood.com www.norwood.com / www.bicgraphic.com CONFIDENTIALITY NOTICE This electronic message is confidential and may contain legally privileged information intended only for the use of the individual or company named above. If the reader of this message is not the intended recipient, or the employee or agent responsible to deliver it to the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communications is strictly prohibited. If you have received this communication in error please immediately notify us by telephone, and return the original message to us at the address below. IRS Circular 230 Disclosure: As provided for in Treasury regulations, advice (if any) relating to federal taxes that is contained in this communication (including attachments) is not intended or written to be used, and cannot be used, for the purpose of (1) avoiding penalties under the IRS Code or (2) promotion, marketing or recommending to another party any transaction or matter addressed herein: Norwood & BIC Graphic, 14421 Myerlake Circle, Clearwater, FL 33760. www.norwood.com / www.bicgraphic.com
From: Steve Miller <SLMiller@norwood.com> Date: Tue, 17 Jan 2012 16:55:46 -0600 To: ColorSync <colorsync-users@lists.apple.com> Subject: Spectrophotometer for measuring non flat surface.
I'm looking for a spectrophotometer that can measure non flat surfaces. Small round cylinders about the size of a pencil. Is there anything on the market that is capable of this?
-- Steve Miller Color Management Specialist
"Quality Begins Here"
BIC Advertising & Promotional Products 1000 3rd Ave. SW Sleepy Eye, MN 56085
Tel.: (1) 507 794 8203 E-mail: slmiller@norwood.com www.norwood.com / www.bicgraphic.com
CONFIDENTIALITY NOTICE This electronic message is confidential and may contain legally privileged information intended only for the use of the individual or company named above. If the reader of this message is not the intended recipient, or the employee or agent responsible to deliver it to the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communications is strictly prohibited. If you have received this communication in error please immediately notify us by telephone, and return the original message to us at the address below. IRS Circular 230 Disclosure: As provided for in Treasury regulations, advice (if any) relating to federal taxes that is contained in this communication (including attachments) is not intended or written to be used, and cannot be used, for the purpose of (1) avoiding penalties under the IRS Code or (2) promotion, marketing or recommending to another party any transaction or matter addressed herein: Norwood & BIC Graphic, 14421 Myerlake Circle, Clearwater, FL 33760. www.norwood.com / www.bicgraphic.com
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Hi Steve, What instrument are you using to make the measurement? I don't think there is a reason to use UV cut in this instance, but you might want output a neutral image on to both papers and carry them into your light booth to see if they look the same. Many other problems can occur in the booth .... Regards, Tom On 1/27/12 2:46 PM, "Steve Miller" <SLMiller@norwood.com> wrote:
What would be the best direction to go with the following press paper and proofing paper? Use uv cut filter or not.
Proofing paper L*a*b* values measured without UV cut. No UV filter. L= 96.38 a= 1.83 b= -8.02 Press paper L*a*b* values measured without UV cut. No UV filter. L= 93.80 a= 1.76 b= -8.20
Both the proofing paper and the press paper appear to have optical brighteners as seen under a black light.
I'm planning on doing a G7 calibration. Creating a profile of the press after G7 calibration and creating a proof to match the press using the press profile. With both papers having optical brighteners, what would be the purpose of using a UV cut filter?
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Hi Steve, The ab* values are very close in my opinion. If you can remeasure with UVexcluded and the ab* values remain close (< ab* 0.5) then the papers have similar brightener loads and should look similar to the eye under a variety of lighting conditions to both your eye and your instruments. I would think you could go about your job either way under the circumstances. That being said I do not know of anyone using UVexcluded data for offset press to hard copy proof tasks because many of us enjoy comparing our results to standard print specifications such as Fogra47. The exception to this trend is in softproofing where a UVexcluded version of the press profile makes sense because it prevents the substrate from looking too blue on screen. Matt Louis ________________________________________ From: colorsync-users-bounces+matt=printplace.com@lists.apple.com [colorsync-users-bounces+matt=printplace.com@lists.apple.com] On Behalf Of Steve Miller [SLMiller@norwood.com] Sent: Friday, January 27, 2012 1:46 PM To: ColorSync Subject: UV CUT or NOT subject What would be the best direction to go with the following press paper and proofing paper? Use uv cut filter or not. Proofing paper L*a*b* values measured without UV cut. No UV filter. L= 96.38 a= 1.83 b= -8.02 Press paper L*a*b* values measured without UV cut. No UV filter. L= 93.80 a= 1.76 b= -8.20 Both the proofing paper and the press paper appear to have optical brighteners as seen under a black light. I'm planning on doing a G7 calibration. Creating a profile of the press after G7 calibration and creating a proof to match the press using the press profile. With both papers having optical brighteners, what would be the purpose of using a UV cut filter? -- Steve Miller Color Management Specialist
participants (4)
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Matt Louis
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Mauro Boscarol
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Steve Miller
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Tom Lianza