Re: Monaco Profiler 4.7 to X-Rite i1 Publisher Pro Upgrade
Barry, while I am not personally using Lion yet I have several piers and customers who are and can certainly speak to the feature set of the new i1 Profiler software. X-Rite has completely rewritten the software from the ground up using everything they've learned from both MONACO Profiler and ProfileMaker packages. They have developed an entirely new profiling engine called "Prism" that I feel generates the best profiles of either package. You also get several features that you didn't have with Profiler such as iteration and verification (typically RIP features - but now you can iterate without a RIP). I would suggest you upgrade for sure! Also, you won't find any scanner profiling abilities in i1Profiler or digital camera profiling (which is now being done in ColorChecker Passport software that is included - but is only DNG profiles NOT iCC profiles). You will still be able to run either MONACO Profiler or ProfileMaker after you upgrade as both will still be licensed on your dongle. Hope this helps and let me know if I can help further. Oh, and you may want to check out our website i1upgrades.com which has all the information about upgrading. Dan Gillespie The Color Management Group On Aug 25, 2011, at 3:03 PM, colorsync-users-request@lists.apple.com wrote:
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Today's Topics:
1. Monaco Profiler 4.7 to X-Rite i1 Publisher Pro Upgrade (Barry Gorrell)
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Message: 1 Date: Wed, 24 Aug 2011 19:55:07 -0400 From: Barry Gorrell <bgorrell@cecil.edu> Subject: Monaco Profiler 4.7 to X-Rite i1 Publisher Pro Upgrade To: colorsync-users@lists.apple.com Message-ID: <F6A284AD-1037-4EFD-B2AF-FE21FF6C00CB@cecil.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes
Hello,
For the past several years we've been very happy users of Monaco Profiler Platinum v4.7 running on a PowerMac G5 under Mac OS 10.5.8. It appears however if we "upgrade" to a MacPro running Mac OS 10.7 (Lion) our old Monaco application will no longer be supported. Thus we're considering "upgrading" from Monaco Profiler 4.7 to X-Rites i1 Publish Pro to run under OS 10.7 and are wondering if anyone on this list has made a similar transition? And if so would you be willing to share how it's worked out for you? Does the newer i1 Publish Pro produce profiles of equal or superior quality to those from Monaco Profiler? Any other "user experience" comments would also be welcome.
Thanks in advance.
Barry Gorrell
VCP Lab Coordinator Cecil College
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On Aug 26, 2011, at 8:56 AM, Dan Gillespie wrote:
You also get several features that you didn't have with Profiler such as iteration and verification (typically RIP features - but now you can iterate without a RIP)
It would be interesting to bring the iteration into a discussion. I found it did absolutely nothing if I started with a sufficiently large patch sample from the get go (for RGB, 1728 patches). IOW, testing I did showed that adding another 3000 patches resulted in a fraction of a dE difference in the two profiles. Chris Murphy found similar results testing a CMYK profile. I also think we need to be clear what iteration does and doesn’t do (so far, an open question if you will). My understanding is unlike say Oris, this iteration process is not designed to account for device drift or changes. Its designed for an improved resulting profile. In my tests that didn’t happen. What I was told by X-rite is that iteration is useful for those who start with an initial small patch process (ala ColorMunki which uses initially only 50 patches, then iterates the 2nd 50). That technology works amazingly well IMOH. But if an advanced user starts with a sufficiently large patch sample, and that number is open to debate, then iteration isn’t at all useful. That’s been my experience. I was hoping that the technology would improve a profile built with a decent set of initial patches. Especially if you feed the iteration specific colors. An example would be building a profile for an Epson printer, then iterating with a number of neutral gray patches to improve gray balance such we could use an ICC profile instead of the Advanced B&W driver for better neutrality. This is something Bill Atkinson did many years ago when he created his profiles for the older Epson printers. His process actually used the additional patches, along with some analysis of the original to better shift neutrality of the resulting profiles. I did not see any benefit to suppling the iteration i1P engine more neutral patches in this respect. Now that i1Profiler has been out awhile, I’m wondering if anyone else is seeing these conditions. Andrew Rodney http://www.digitaldog.net/
I absolutely agree with Andrew. I noticed that iteration did nothing to improve quality of profiles if you are using 1485 or 1617 patches for cmyk or 1728 for rgb or more. If you speak about iterations like a pro rip (cgs or gmg) where it dramatically improves the result and quality. It is useless for linearizing (bringing printer back to known state) unlike those rips can do. You replace the inks or put new roll of paper and you will still have to redo the profile. You don't need to do this if you have a rip. Just linearize with a small chart. Best Regards, Derek Lambert On Aug 26, 2011, at 11:16 AM, Andrew Rodney <andrew@digitaldog.net> wrote:
On Aug 26, 2011, at 8:56 AM, Dan Gillespie wrote:
You also get several features that you didn't have with Profiler such as iteration and verification (typically RIP features - but now you can iterate without a RIP)
It would be interesting to bring the iteration into a discussion. I found it did absolutely nothing if I started with a sufficiently large patch sample from the get go (for RGB, 1728 patches). IOW, testing I did showed that adding another 3000 patches resulted in a fraction of a dE difference in the two profiles. Chris Murphy found similar results testing a CMYK profile.
I also think we need to be clear what iteration does and doesn’t do (so far, an open question if you will). My understanding is unlike say Oris, this iteration process is not designed to account for device drift or changes. Its designed for an improved resulting profile. In my tests that didn’t happen. What I was told by X-rite is that iteration is useful for those who start with an initial small patch process (ala ColorMunki which uses initially only 50 patches, then iterates the 2nd 50). That technology works amazingly well IMOH. But if an advanced user starts with a sufficiently large patch sample, and that number is open to debate, then iteration isn’t at all useful. That’s been my experience.
I was hoping that the technology would improve a profile built with a decent set of initial patches. Especially if you feed the iteration specific colors. An example would be building a profile for an Epson printer, then iterating with a number of neutral gray patches to improve gray balance such we could use an ICC profile instead of the Advanced B&W driver for better neutrality. This is something Bill Atkinson did many years ago when he created his profiles for the older Epson printers. His process actually used the additional patches, along with some analysis of the original to better shift neutrality of the resulting profiles. I did not see any benefit to suppling the iteration i1P engine more neutral patches in this respect.
Now that i1Profiler has been out awhile, I’m wondering if anyone else is seeing these conditions.
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On Aug 26, 2011, at 11:16 AM, Andrew Rodney wrote:
It would be interesting to bring the iteration into a discussion. I found it did absolutely nothing if I started with a sufficiently large patch sample from the get go (for RGB, 1728 patches). IOW, testing I did showed that adding another 3000 patches resulted in a fraction of a dE difference in the two profiles. Chris Murphy found similar results testing a CMYK profile.
I also think we need to be clear what iteration does and doesn’t do (so far, an open question if you will). My understanding is unlike say Oris, this iteration process is not designed to account for device drift or changes. Its designed for an improved resulting profile. In my tests that didn’t happen. What I was told by X-rite is that iteration is useful for those who start with an initial small patch process (ala ColorMunki which uses initially only 50 patches, then iterates the 2nd 50). That technology works amazingly well IMOH. But if an advanced user starts with a sufficiently large patch sample, and that number is open to debate, then iteration isn’t at all useful. That’s been my experience.
AR is right on...the iteration feature in i1Profiler is not to be confused with what ORIS Color Tuner or GMG ColorProof will do during either a calibration or profile iteration process. In a GMG world, *calibration* iteration is basically iterating the "full" gamut back to it's original reference or starting point to account/correct for device drift....this is more like the typical profile of an inkjet printer. GMG *profile* iteration is a bit different in that you're iterating a particular "color match" profile such as GRACoL, ISO, SWOP, etc. on your inkjet device. i1Profiler's "iteration" should more properly be called profile "optimization" in my opinion. The way I would describe the process is that the initial profile is built from a patch set that has no bearing on the actual device it's profiling (it has no clue as to device behavior/linearity/gray balance at this point). So the initial patch set is rather random in nature although it uses some sort of patch set generator algorithm one would assume. Once this initial profile is created, NOW it actually has some information about the device that was just profiled...if you proceed to iteration after you create the initial profile, a 2nd patch set can be generated that sort of "tightens up" the original profile in terms of gray balance and other perceived deficiencies in the original profile. I think of it as "filling holes" in the initial profile that the first patch set didn't adequately cover. How well does it work? In my world of CMYK proofing RIPs, I'm already starting with fairly good device behavior as a result of tools such as in-RIP ink limiting (per-channel and total) and linearization....plus I tend to start with upwards of 3,000 patches (I've been using a 2-page iSis chart that pushes close to the 6,000 patch limit of i1Profiler). In all my comparisons profiling different inkjet printers on various media, I have consistently seen an improvement between the original and the optimized profile...but the improvement is on the order of TENTHS or HUNDRETHS of a dE...IOW, if not statistically insignificant, it's at least visually insignificant. It's nothing like the improvement you might see iterating a GMG profile where the original profile starts out in the 1dE avg./5 dE peak range and iterates down to perhaps .25 dE avg. with no more than 2 dE peak values. In my experience with most Epson inkjets and various RIPs that use ICC profiles, I'll typically see on the order of .70-1.0 dE average matching to the GRACoL data set using i1Profiler. Generally that's much better in my experience than ProfileMaker and perhaps slightly better than MonacoPROFILER. That's NOT saying it's of no value....but it's pretty clear that if you start with an initial patch count that's high enough, iteration/optimization is of questionable value. With a fast/automated device such as the iSis, measuring upwards of 2,000 patches is trivial...but on a manual device such as an i1Pro, there MAY be some benefit in terms of time and media usage with measuring a few hundred patches and then improving it further using optimization. Myself, I've never tested the theory that a small number of patches would show a substantial improvement using the iteration feature....I simply start with enough patches to begin with that optimization is generally not necessary. :-) Regards, Terry Wyse ______________________________________ Terence Wyse, WyseConsul Color Management Consulting G7 Certified Expert FIRST Level II Implementation Specialist
participants (4)
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Andrew Rodney
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Dan Gillespie
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Derek Lambert
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Terence Wyse