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Re: Colormatch vs Adobe 98
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Re: Colormatch vs Adobe 98


  • Subject: Re: Colormatch vs Adobe 98
  • From: Rolf Gierling <email@hidden>
  • Date: Fri, 01 Feb 2002 11:50:38 +0100

Bruce Fraser wrote:

<snip>
>Every time I've measured daylight at sea level outside the golden
>hour, it's come in between 6300 and 6700K. This suggest to me that
>D65 is a more appropriate color temperature for dealing with captures
>than D50.
<snip>

I agree to Bruce.

Although I know a lot of people here in the list are working in
photographic art and reproduction, colormanagement is not restricted to
that.

A lot of people do design, layout and multimedia.

I have never had a client who was working in a room without windows.
And working with a monitor set to 5000K can be very irritating while
daylight is present.

So my average client Fred works in a 6500K viewing booth.

BTW: Interesting that the list reveals the problems of banding etc
for a thousand times, but there is still no company able to serve
us a graphics card with more than 8 bit LUTs.

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52064 Aachen
Germany

Tel. +49/241/4012579
Fax +49/241/4012583
email@hidden
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