• Open Menu Close Menu
  • Apple
  • Shopping Bag
  • Apple
  • Mac
  • iPad
  • iPhone
  • Watch
  • TV
  • Music
  • Support
  • Search apple.com
  • Shopping Bag

Lists

Open Menu Close Menu
  • Terms and Conditions
  • Lists hosted on this site
  • Email the Postmaster
  • Tips for posting to public mailing lists
Re: Colormatch vs Adobe 98
[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

Re: Colormatch vs Adobe 98


  • Subject: Re: Colormatch vs Adobe 98
  • From: DScharf <email@hidden>
  • Date: Fri, 01 Feb 2002 06:07:28 -0800
  • Organization: David Scharf Photography

While it may be correct that the spectral distributions of the
phosphors used in CRTs cannot make a true D50 or D65, surely the purpose
of that "calibration" is to "emulate" those color temperatures to our
visual perception.

David Scharf
--
DAVID SCHARF PHOTOGRAPHY
Scanning Electron Microscopy
Phone 323-666-8657
Los Angeles, CA 90039
http://www.microscopy-today.com/Scharf.html
__________________________________________________________________

Subject:
Re: Colormatch vs
Adobe 98
To:
"coloru"
<email@hidden>
From:
Chris Murphy
<email@hidden>
Date:
Fri, 1 Feb 2002
01:14:10 -0700


Don Hutcheson <email@hidden> writes:

>What I MEANT to say is "Three-and four-band
colorimeters are normally
>'hardwired' to produce CIELab(D50) values
and CANNOT produce true
>CIELab(D65) values correctly."

We should refrain from referring to D50 and
D65 when it comes to monitors
because it is impossible to calibrate them to
either one. D50 and D65 are
illuminants and have a specific spectral
power distribution associated
with them. A monitor does not have the
ability to produce such spectra.
We can say that we are trying to get a
correlated color temperature of
xxxxK.


  • Prev by Date: Re: colorsync-users digest, Vol 3 #31 - 16 msgs
  • Next by Date: Re: Colormatch vs Adobe 98
  • Previous by thread: Re: Colormatch vs Adobe 98
  • Next by thread: Re: Colormatch vs Adobe 98
  • Index(es):
    • Date
    • Thread