Re: SONY Artisan chromaticities
Re: SONY Artisan chromaticities
- Subject: Re: SONY Artisan chromaticities
- From: Andrew Rodney <email@hidden>
- Date: Mon, 26 May 2003 15:47:10 -0600
on 5/26/03 2:47 PM, Roger Breton wrote:
>
Not to put "fuel" on the discussion, but I guess the question on my mind and
>
maybe that of others is this: if I were to buy, today, a Sony GDM-C520K and
>
an a freshly calibrated EyeOnePublish package, would I be losing a lot of
>
the Artisan color performance?
My understanding is yes. I asked this exact question of Karl Lang the man
behind the Artisan (and previously the PressView) and was told:
>
The Artisan display chassis is not the same as any shipping Sony display
>
chassis. The Artisan display has better adjustment resolution (the ability to
>
reach a specific target white point) and an extended dynamic range. The
>
Artisan display has the highest color purity specification of any Sony
>
display. The slightly finer aperture grille tube used in the f520 would not be
>
able to achieve this purity spec, also the finer aperture grille tube would
>
not be able to last as long at the high calibrated luminance of the Artisan.
>
>
Obviously using an EyeOne or any other DAC based calibration system can not
>
achieve the consistent fixed colorspace of the Artisan or the incredible grey
>
tracking. With the Eye-One your image will not look the same today as next
>
year. The display is aging and the Eye-One can not adjust the Video amplifier
>
Bias to compensate for this. There are many, many other reasons. I would refer
>
to the Seybold white paper at
>
<http://interprod5.imgusa.com/son-641/PDF/SeyboldWP.pdf>
Andrew Rodney
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