• Open Menu Close Menu
  • Apple
  • Shopping Bag
  • Apple
  • Mac
  • iPad
  • iPhone
  • Watch
  • TV
  • Music
  • Support
  • Search apple.com
  • Shopping Bag
 

Lists

Open Menu Close Menu
  • Terms and Conditions
  • Lists hosted on this site
  • Email the Postmaster
  • Tips for posting to public mailing lists
Re: BEST v5
[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

Re: BEST v5


  • Subject: Re: BEST v5
  • From: Henrik Holmegaard <email@hidden>
  • Date: Sun, 12 Oct 2003 13:33:59 +0200

email@hidden writes:

>Well, lets see: the average fine art user has little use for PostScript, and
>would rather pay less for a raster-only RIP, and is willing to sacrifice
>Pantone and other spot color matching, press emulation and a fair number of other
>specialty functions at the same time.

There is a traditional distinction between creative TIFF and the rest of the world, but it does not follow that creative TIFF should seek to remain its island isolated from the world at large -:).

Suppose the professional photographer is part of a color managed workflow from photo studio to graphics studio to pressroom. The graphics studio and the pressroom organize the page proofs as PDF/X-3 with OutputIntent, and the photo studio does what?

You see, if the photo studio wishes to take part in the game of pleasing the client, it is no longer a matter of handing off a chrome to a scanner operator, but of protecting the added value of image editing by participating in the color management chain.

And this is only possible by participating in the PDF chain. The problem for the photo studio is to stop thinking of the loose image and start thinking of the page.

>And did I mention that it should be *affordable*, and not require a
>consultant or training to learn to use?

The challenge is to get a RIP on the street that is as PDF-centric and desktop-centric as InDesign. What do you do when you get a professionally color managed PDF in the stages where in the past couriers would be carting around? You need to be able to hook up the spectro, measure the remote proof, discuss the length and breadth of the photo studio / graphic studio / pressroom chain. I'd say the challenge has been met at this point. It's the user mindset that's the problem.

Since 1998 I've wished the non-PostScript workflows would melt away because to my way of thinking they are rooted in a mindset which is at least a decade behind the times. There, it's the same restatement all the way back to 1998 -:).

Thanks,
Henrik
_______________________________________________
colorsync-users mailing list | email@hidden
Help/Unsubscribe/Archives: http://www.lists.apple.com/mailman/listinfo/colorsync-users
Do not post admin requests to the list. They will be ignored.

  • Prev by Date: Lazser Writer 8500 was a freeby... I have a dual 450
  • Next by Date: Re: Eye one Pro and imac
  • Previous by thread: Re: BEST V5
  • Next by thread: Re: BEST v5
  • Index(es):
    • Date
    • Thread