So here's the rub. You're shooting a piece of art drawn on white paper. You expose properly, the image has a lot of paper white space, but you're going to get killed when you go to print it. I've never toyed with absolute colorimetric, as it's never been suggested as a good alternative. I build my own paper profiles and have had great success, with the exception of high white content repros and a lot of bright primaries. It's killer to keep all the colours inline. I can spot read a colour, then adjust the image to match, carefully observing trade-offs in other colours. But you can chase your tail for hours doing this. Perhaps there is a more appropriate workflow for reproduction work that I'm missing. TIA.