Re: Artisan calibration/soft proof workflow
Re: Artisan calibration/soft proof workflow
- Subject: Re: Artisan calibration/soft proof workflow
- From: Chris Murphy <email@hidden>
- Date: Sun, 4 Jan 2004 12:22:58 -0700
On Jan 4, 2004, at 11:55 AM, Will and Pam wrote:
I'd probably calibrate to a "Fine Art" (500:1) contrast
ratio for the Epson and something like 400:1 for the Durst. This is a
physical adjustment to the black setting of the display. You can
switch on
the fly in the Artisan software when you want to view images to the two
different output devices.
Does this mean that in soft proofing, I not only invoke the custom soft
proof setup in photoshop but also change the monitor behavior in the
Artisan
software?
Yes, but I think you might find it easier to just use the FineArt
setting, and then if you need to see the more limited dynamic range of
Durst output, you can use Proof Setup and check Simulate Ink Black.
If you're up for experimenting you can try it both ways and see which
gives you the better soft proof of final output.
Chris Murphy
Color Remedies (TM)
www.colorremedies.com/realworldcolor
---------------------------------------------------------
Co-author "Real World Color Management"
Published by PeachPit Press (ISBN 0-201-77340-6)
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