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Re: csf file vs. profile
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Re: csf file vs. profile


  • Subject: Re: csf file vs. profile
  • From: email@hidden
  • Date: Mon, 26 Jul 2004 13:03:53 -0400

This much I understood myself....
...AND what about if you have two monitors hooked up to the same computer...

I'm more concerned with the following...
I quote my previous post:
Pulling up the custom CMYK reveals:

Eurostandard (patinato)
Dot Gain 15%
GCR
LIGHT - black generation
100% black
370% total ink
UCA 30%

my questions:

Does not this approach harp back to PS4 conversion engine and is not as good as a properly profiled approach ?
(the printer is Mondadori in italy and another source book using the same printer indicated a profile rather than a .csf file. I think it was Euroscale coated v2)

PS4 conversion engine ??? Is that not substandard now ?

Thanks for input

Ulf Skogsbergh



On Monday, July 26, 2004, at 12:35 PM, Roger Breton wrote:


The printer has provided a "settings" file a .csf file for photoshop.
Wen this .csf file is invoked the working spaces are:

RGB "monitor RGB (calibration/profile file)"
CMYK " Eurostandard (patinato), 15%, GCR, Bassa"


Your provider does not understand how monitor profiles work... your monitor
profile should not be selected as your Photoshop workingspace!

C. David Tobie

Does this mean that "Monitor RGB" could be associated with each and every
monitor profile that resides on all stations? Let us say I have 5
workstations in my office, each with its own monitor profile, Profile A,
Profile B, etc... What the above csf does is to have Photoshop soft-wire
each 'private' monitor profiles who reside on each of these 5 workstations
with the RGB working space? So that, when I open and untagged RGB image on
StationA, that RGB image will be associated with Profile A, opening an
untagged RGB image on StationB will associated that RGB image with ProfileB,
and so on and so forth?
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