• Open Menu Close Menu
  • Apple
  • Shopping Bag
  • Apple
  • Mac
  • iPad
  • iPhone
  • Watch
  • TV
  • Music
  • Support
  • Search apple.com
  • Shopping Bag

Lists

Open Menu Close Menu
  • Terms and Conditions
  • Lists hosted on this site
  • Email the Postmaster
  • Tips for posting to public mailing lists
Soft Proofing Profiling
[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

Soft Proofing Profiling


  • Subject: Soft Proofing Profiling
  • From: Paul Wilson <email@hidden>
  • Date: Sat, 15 May 2004 08:07:36 -0400

I have been lurking on this list for only a few weeks and while I am very hesitant to ask such a basic question but I seem to have nowhere else to turn.

I am employed as a retoucher at a pre-press house in the Northeast. They are color managed and mainly use three profiles. One for scanning and two for outputs. The two output profiles are for 300 total ink jobs and 320 total ink jobs. They do not embed a profile for newspaper ads.

That said, until now, the monitors we "operators" work on have not been hardware calibrated. I got them to let me use the Monico OPTIX unit that had been lying around to calibrate my monitor. The results seemed very impressive. At first. I compared the on screen images of a couple of jobs to the Kodak Approvals we use and the match was impressive enough that three other people asked to have their monitors calibrated too.

The next day I opened an image of a silver car on a dry lake bed for client ordered revisions and it was a rather poor match. The screen image was way too light and needed magenta overall. Soon the others reluctantly gave their reports. The hardware calibrations had not yielded any better results than the rough, by-eye, built in monitor control panel calibration they had been using previously. The "real men don't need soft proofing, we go by the numbers" mentality was back.

The most detailed comment was that it seemed the best one could do was get a monitor to match one proof visually within the limits of transmitted RGB via excited phosphors Vs. dye sub reflected. But consistent, useful, save a round of color, soft proofing from job to job was a snare and an illusion.

Am I asking too much? Is the secret in figuring out how to use the Proof Setup and Proof Colors under View in Photoshop? What's a 56 year old- use to do it all with an airbrush- went digital ten years ago- surrounded by young whipper snappers to do?

TIA

Paul Wilson
_______________________________________________
colorsync-users mailing list | email@hidden
Help/Unsubscribe/Archives: http://www.lists.apple.com/mailman/listinfo/colorsync-users
Do not post admin requests to the list. They will be ignored.


  • Follow-Ups:
    • Re: Soft Proofing Profiling
      • From: neil snape <email@hidden>
  • Prev by Date: Re(2): v4 Profiles
  • Next by Date: Re: Soft Proofing Profiling
  • Previous by thread: Re: Colour Management in the Classroom
  • Next by thread: Re: Soft Proofing Profiling
  • Index(es):
    • Date
    • Thread