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Re: grayscale settings for offset printing
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Re: grayscale settings for offset printing


  • Subject: Re: grayscale settings for offset printing
  • From: Rich Apollo <email@hidden>
  • Date: Fri, 16 Dec 2005 08:35:42 -0600

Would you mind briefly outlining your channel mixer technique?

It's image specific, so no automation. I start by reviewing the individual channels of the image in question to see which channels contain the detail. Typically I find myself combining data from two channels primarily. Set the Channel Mixer to Monochrome and fiddle. With the info pallet open I make sure I get no absolute whites (zeroes in CMYK, 255's in RGB). You can also soft-proof through a Grayscale profile to see how much gradation you're retaining/losing.


After you've done that convert to grayscale. Many times after the conversion, I'll set the black point with curves or levels.

Yes, it is very manual, and it requires the operator to make editorial decisions. I just haven't found a way that works better for me. Using a conversion to a grayscale profile leaves the images a bit flat by comparison.

Rich Apollo
314-344-1144
email@hidden
www.prioritylitho.com


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      • From: Roger Breton <email@hidden>
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 >Re: grayscale settings for offset printing (From: Roger Breton <email@hidden>)

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