Tweaking Output Profiles
Tweaking Output Profiles
- Subject: Tweaking Output Profiles
- From: Kevin Muldoon <email@hidden>
- Date: Fri, 1 Jul 2005 15:39:08 -0400
I'd like to know to what lengths do people go to tweak their output
profiles -- or if they tweak them at all -- and IF the output profiles
are adjusted in some way, just what are they being adjusted to?
I have been of the opinion that an output profile 'is what it is'. If
my image viewed under proof-setup in Photoshop matches my output, and
my QC color patches measure within tolerance, then I must be satisfied
that I am getting the best possible out of the Ink, Media, Printer, RIP
combination, even if my output may be overall 'yellowish' due to the
yellow hue of the media (or blueish due to the blue hue of media, or
whatever).
I am inviting an open discussion on how, why, when color management
professionals tweak an output profile especially when the output is not
a proof of another printing process. Thanks!
Kevin Muldoon
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