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Re: Metamerism vs Color Constancy
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Re: Metamerism vs Color Constancy


  • Subject: Re: Metamerism vs Color Constancy
  • From: Ray Maxwell <email@hidden>
  • Date: Mon, 19 Sep 2005 23:23:10 -0700

Hi Marco,

There is nothing wrong with your mind. This is just another case of one group (graphic arts and printing) misusing a scientific term invented by another group (color scientists). You are correct. The term is misused. There are many other examples within the industry.

There are many people that call a raster file a bit map file. A bit can only take on the value of 1 or 0. Therefore a file that contains 8 bits per pixel cannot be called a bit map file. It is a raster file. Unfortunately this misuse appears even in books by people that I hold in high regard. (Right Bruce?)

Another misused word is linearization. Many people who want to bring an output device to a known state say that they are going to linearize the device. This is left over from the time when people in the industry actually linearized the output of film image setters. Of course when they made plates it added another 3% to 5%. When this plate is printed on the typical press it adds yet another 15% to 20% of TVI. This results in a total TVI from file to press sheet of 20% to 25%. If you separate your files for a 20% to 25% TVI then you system should have that TVI. This is why many people who use CTP systems calibrate them to add 3% to 5% TVI to allow them to use legacy files separated for a film workflow. If you separate for a certain TVI then the proofer must have the same TVI as well as the press.

Years ago I had a client who insisted that he wanted me to set up a halftone proofer so that the output was "linear". He really wanted me to set it up so that 50% in the file produced 50% on the final color proof. I explained that it would be better to set up the proofer so that it had about a 20% TVI (dot gain) so that it would match the output of his press. I also pointed out that a typical output device with a 20% TVI produces a near linear visual response. Try plotting the L* value vs. the input file tonal value (the input halftone percentage). You will find that the L* value is almost linear with respect to the file input value if the device has about a 20% TVI.

Ray


Marco Ugolini wrote:

I premise this message by saying that I am NOT a color scientist (though I
wish I was sharp enough to be one): just a guy who has been dabbling for a
few years in matters that have scientific ramifications, which he is still
trying to sort out for himself.

So, there went the introduction.

Now to what I wanted to ask: Metamerism vs Color Constancy.

First, a definition of the terms (taken from the great web site
<http://www.answers.com>):

------
METAMERISM

Metamerism is a psychophysical phenomenon commonly defined incompletely as
"two samples which match when illuminated by a particular light source and
then do not match when illuminated by a different light source."

["Incomplete" because metamerism can also be subdivided into sample,
observer, illuminant, and geometric metamerism]

------
COLOR CONSTANCY:

Color constancy is a feature of the human color-perception system which
ensures that the perceived color of objects remains relatively constant
under varying illumination conditions.

------

I am bringing this up because my poor insufficiently scientifically-trained
mind is trying to comprehend whether the term "metamerism" is currently
being used improperly in color management circles.

When we refer to inkjet prints as being "metameric" (a common buzzword these
days among the initiated to the growing sect of inkjet printing), do we
actually mean, instead, that they lack color constancy?

Metamerism happens between two samples (in sample metamerism, at least)
whose colors have different spectra. This spectral difference creates a
match under one illuminant (called a metameric MATCH) and a mismatch under
another illuminant (a metameric FAILURE). I have been unable to retrieve the
etymology of the word "metameric," but it seems that it refers to parts that
appear or ought to appear similar if not identical to one another (as in the
segments of the body of an earthworm, which are called "metameres").

If that is so, then a print cannot, by itself, be metameric.

So, if we use the word "metameric" to mean that a print changes its color
appearance under different illuminants, shouldn't we actually say that IT
LACKS COLOR CONSTANCY instead?

Please tell me if I am wrong about this, but if I am correct could we please
stop saying that inkjet prints are metameric, then?

Thank you.

--------------
Marco Ugolini
Mill Valley, CA


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References: 
 >Metamerism vs Color Constancy (From: Marco Ugolini <email@hidden>)

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