Getting from a reasonable understanding of colour in a computing sense to an understanding of component video and hi-def video
Getting from a reasonable understanding of colour in a computing sense to an understanding of component video and hi-def video
- Subject: Getting from a reasonable understanding of colour in a computing sense to an understanding of component video and hi-def video
- From: Charles Cranney <email@hidden>
- Date: Wed, 1 Mar 2006 10:15:19 -0700
| Steve:
I, too, have wondered about this topic and been a bit frustrated, for example, at the difference between how Shake manages color vs. Final Cut, since we use both. My sense is that this is the next step for ColorSync, et. al.
I did notice that at the Digital Cinema Summit conference at NAB, they are going to be discussing color with digital motion stuff. I think the title itself is a clue as to where the industry is on this.
See
Here's an excerpt:
Color Management – Searching for a New Common Language 2:15PM - 3:45PM Las Vegas Convention Center, Room S222 Why is it desirable to have a universal language for communicating the color and contrast of digital imagery? What should this “open standard” look like and what information must it contain? How does the ASC’s Color Decision List proposal address communication needs? What are the strengths and drawbacks of current color management solutions? The session looks at color management software and services, and case studies of recent motion pictures that used these color tools. --Charles |
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