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Re: Colorsync-users Digest, Vol 4, Issue 19
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Re: Colorsync-users Digest, Vol 4, Issue 19


  • Subject: Re: Colorsync-users Digest, Vol 4, Issue 19
  • From: "edmund ronald" <email@hidden>
  • Date: Wed, 10 Jan 2007 12:31:22 +0100

Which is why we're all going round in circles - splash the contents of
a big glass into a small glass and you'll have spillover and wet feet.
Splash real-world scene-referred color onto a page of paper and
"colour accurate content" is simply not feasible - all you can hope
for is a conventional rendering of same and a happy client.

I'm just a photographer, not  a color-separation expert like the rest
of the folks here, but I don't believe in magical exceptions to the
laws of physics, nor in people who promise to deliver such exceptions
for small sums of money - and I hate dealing with the expectations
that such promises build.

Edmund

On 1/10/07, Bob Marchant <email@hidden> wrote:

Which is where the differences show up between different sectors of
the photography business. In my sector it not only has to look
fantastic , but also it has to be colour accurate for content. The
use of relevant rendering intents to ensure colour accuracy is an
essential part of our workflow.


Bob Marchant
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References: 
 >Re: Colorsync-users Digest, Vol 4, Issue 19 (From: Kevin Muldoon <email@hidden>)
 >Re: Colorsync-users Digest, Vol 4, Issue 19 (From: Bob Marchant <email@hidden>)

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