Re: Colorsync-users Digest, Vol 4, Issue 120
Re: Colorsync-users Digest, Vol 4, Issue 120
- Subject: Re: Colorsync-users Digest, Vol 4, Issue 120
- From: Rick McCleary <email@hidden>
- Date: Mon, 19 Mar 2007 13:09:33 -0500
On Mar 19, 2007, at 11:44 AM, email@hidden wrote:
I am trying out or requesting samples of papers that I
ignored the first time around - Epson Ultra Smooth, The Entradas
(natural & white), Crane's Museo & Max, and some of the smooth Arches
and Hahnamuhle papers.
What are the preferences out there? This is for color, not B+W.
I like both Entrada's - Bright White & Natural. For color, I use Entrada BW for my portfolio. Clients are always impressed by it. There is more depth and richness in the shadows than with Enhanced Matte. Entrada's on-line canned profiles aren't very good. You'll need to create a custom profile.
I'd also look at Hahnemuhle FineArt Pearl. This is an excellent paper with a very "photographic" surface. In fact, it's the first paper that really has that wet-process darkroom look to it--like an air-dried F surface double-weight paper. There still is the issue of reflection differential, but it is extremely subtle on this paper--it doesn't bother me at all.
Tried Crane's Museo - didn't like it at all for color images.
RIck
RICK MCCLEARY PHOTOGRAPHY
201 Orchard Drive
Purcellville, VA 20132
v 540-338-4895
c 540-454-7180
www.rickmccleary.com
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