Re: difference hp Z2100 and Z3100- now PL fo B&W
Re: difference hp Z2100 and Z3100- now PL fo B&W
- Subject: Re: difference hp Z2100 and Z3100- now PL fo B&W
- From: "Anthony Sanna" <email@hidden>
- Date: Tue, 20 Mar 2007 10:24:03 -0500
>But if the prints are under glass and matted, Premium Luster is a perfectly
>defensible choice of paper for many uses -- though not for museum or
>high-quality gallery exhibits.
Once a print lands behind glass, in a fixed position, and usually a
fixed light source, the disadvantages of surface distractions can be
minimized, but in my mind, it's a bit of posing.
Many years ago, when house-hunting here in Madison, I went through a
home built in the late '40's by one of Frank Lloyd Wright's students.
It had a spectacular low, wide sweeping entrance that led into an entry
and living room dominated by a huge, dramatically horizontal fieldstone
fireplace. The problem was, however, that the ceiling was very low,
maybe seven feet, with a pocketed-rise in the center to about eight+
feet, and the net affect of the slightly claustrophobic periphery was to
drive one to the center, where - ta da! - the 360° view from that
vantage was one of perfection. Posing.
So, in search of a durable and more humanist substrate, what papers have
been the choices for museums and high-quality galleries?
Speaking of durable, in addition to fading, has chipping or flaking of
paper coatings ever been a concern?
Tony
--
Anthony R. Sanna
SACO Foods, Inc.
1-800-373-7226
email@hidden
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