• Open Menu Close Menu
  • Apple
  • Shopping Bag
  • Apple
  • Mac
  • iPad
  • iPhone
  • Watch
  • TV
  • Music
  • Support
  • Search apple.com
  • Shopping Bag

Lists

Open Menu Close Menu
  • Terms and Conditions
  • Lists hosted on this site
  • Email the Postmaster
  • Tips for posting to public mailing lists
Re: Colorsync-users Digest, Vol 5, Issue 207 GCR
[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

Re: Colorsync-users Digest, Vol 5, Issue 207 GCR


  • Subject: Re: Colorsync-users Digest, Vol 5, Issue 207 GCR
  • From: Roger Breton <email@hidden>
  • Date: Sun, 15 Jun 2008 10:01:33 -0400

Hi Henk,

So, in your opinion, some form of "GCR" will become more and more
fashionable in the printing industry as a whole, over time? For the better?
Regardless of the subject matter?

I'm just not convinced that GCR, in general, is so superior to UCR that we
should separate all images with that technique. Granted for neutrals kinds
of subject, it is the better choice, as in silverware and four color blacks.
But for portraits, I would hesitate.

Besides, hasn't it been said that GCR affords less color control on press
than UCR? I understand for those presses that are fine tuned to a certain
print condition, that have an incredible hit rate in terms of being able to
match the proof, that GCR may help without hindering the press color
control, because it does not need all that color control if it's able to hit
the proof very well. But for those shops that don't use an exacting setup,
inks a little too far from ISO tolerances, and that are given wide proofs
variability, I think GCR would be a suicide.

So, my verdict it, yes, I think it's possible, to some extent, but the right
conditions better be in place before jumping into it.

BTW, as far as ink savings is concerned, just switching from AM to FM
screening automatically affords the printer double digit ink savings.

> Hi Roger,
> Yes I agree, run length decrease but machine costs increase so productivity
> must increase too. Fast machines need to have a short set up time, good
> plates and  a stable print process. One can improve this process by
> harmonized color separations with controlled TAC and GCR.
> I have seen several high-speed machines in operation for magazine production.
> They can meet the top speed if the ink presetting is correct and the plates
> are
> top quality.
> Henk

Roger Breton


 _______________________________________________
Do not post admin requests to the list. They will be ignored.
Colorsync-users mailing list      (email@hidden)
Help/Unsubscribe/Update your Subscription:

This email sent to email@hidden

  • Follow-Ups:
    • Re: Colorsync-users Digest, Vol 5, Issue 207 GCR
      • From: Henk Gianotten <email@hidden>
    • Re: Colorsync-users Digest, Vol 5, Issue 207 GCR
      • From: Henk Gianotten <email@hidden>
References: 
 >Re: Colorsync-users Digest, Vol 5, Issue 207 GCR (From: Henk Gianotten <email@hidden>)

  • Prev by Date: Re: Colorsync-users Digest, Vol 5, Issue 207 GCR
  • Next by Date: Re: Colorsync-users Digest, Vol 5, Issue 207 GCR
  • Previous by thread: Re: Colorsync-users Digest, Vol 5, Issue 207 GCR
  • Next by thread: Re: Colorsync-users Digest, Vol 5, Issue 207 GCR
  • Index(es):
    • Date
    • Thread