Dull/Gloss Varnish Proof
Dull/Gloss Varnish Proof
- Subject: Dull/Gloss Varnish Proof
- From: Eric Magnusson <email@hidden>
- Date: Wed, 07 Oct 2009 23:02:12 -0700
- Thread-topic: Dull/Gloss Varnish Proof
Well...I reckon you could try making a six color profile, where the
lamination and the varnish are the extra two colors.
I love Monaco, but I might suggest ProfileMaker for this one....with maybe
5000 or so patches.
Still...just a suggestion...haven't ever tried it myself.
Eric
on 10/7/09 12:03 PM, email@hidden at
email@hidden wrote:
> Message: 3
> Date: Wed, 07 Oct 2009 10:58:37 -0500
> From: Tom Standafer <email@hidden>
> Subject: Crazy ICC profile question
> To: ColorSync Forum <email@hidden>
> Message-ID: <email@hidden>
> Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed
>
> I know this sounds nuts, at least to me. But then, I am relatively
> new to color management. So here goes....
> Is there any way to get one proof of a 4 color file with 2 different
> icc profiles? Here's what I am trying to do. I have built two
> profiles of post treatment conditions. One ICC profile shows the
> effect of gloss lamination on the color of the piece, the other ICC
> profile shows the effect of a dull varnish. We apply the dull varnish
> over the gloss lamination. They way we apply the dull varnish allows
> us to hold 175lpi screen. The typical piece we produce will have
> gloss lamination showing through the dull varnish. I am trying to
> devise a way to replicate this on a single proof. Any ideas?
>
> Thanks, Tom
>
>
> ----------------------------------------------------------
> Tom Standafer
> Lead Digital Specialist
> Bethany Press International
> email@hidden
> office: 952.914.7420
> mobile: 952.270.5403
--
Eric Magnusson
President
Left Dakota
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