Re: I suspect the original art pigments along with the 1Ds Mark II sensor is part of the issue. What do you think?
Re: I suspect the original art pigments along with the 1Ds Mark II sensor is part of the issue. What do you think?
- Subject: Re: I suspect the original art pigments along with the 1Ds Mark II sensor is part of the issue. What do you think?
- From: Barry Rudick <email@hidden>
- Date: Wed, 09 May 2012 13:55:55 -0500
While the file is still in Camera Raw I would suggest isolating the offending hue using the HSL sliders. There is a tab for that. Looks like sliders.
You might be able to shift the hue and/or saturation of the sand without moving much else.
I have tried to use the raw workflow with DNG and DNG Profiler and Betterlight Scanback but found it was not as accurate as using InCamera ICC profiler and tif files.
You could still use the DNG "profile" in your raw workflow, activating it in ACR at the Camera Calibration tab, open file and assign the profile from InCamera, then convert to workspace RGB profile.
The above sentence presumes that after camera calibration in Passport or DNG Profiler the Colorchecker is captured and used in InCamera to create the custom input profile.
Cheers,
Barry Rudick
Aker Imaging
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