Re: i1Profiler linearization
Re: i1Profiler linearization
- Subject: Re: i1Profiler linearization
- From: Spinnaker Photo Imaging Center <email@hidden>
- Date: Tue, 06 Aug 2013 17:01:36 -0700
Not sure what I'm getting into…….seems to me, and this is what I do, is, re-profile my substrate/printer/ink routinely. Well, three times a year. I admit, I have no idea what
linearization is. Though, I am reading about it on the web.
I use i1Profiler, i1Pro version D.
Cheers,
David
David B Miller, Pharm. D.
member
Millers' Photography L.L.C.
dba Spinnaker Photo Imaging Center
Bellingham, WA
www.spinnakerphotoimagingcenter.com
360 739 2826
On Aug 6, 2013, at 12:19 PM, Mike Strickler <email@hidden> wrote:
> Perhaps my attention span is deficient and I've just missed something, but what is the actual objective here? To produce a better profile in the first place by improving the linearity of the printer output or returning output to a baseline via recalibration? The two may be treated together though in most instances with inkjet printers they are distinct concerns. As Terry points out, the linearization in i1P has nothing to do with calibrating devices but is designed to assist in the profile creation process. I don't think this addresses the original question.
>
> If the only concern is making a good profile, linearization does not need to be perfect by any means: Pretty good is good enough, and the profile should straighten out any remaining kinks. It should go without saying that great attention should be paid in RIPs to ink limiting, as this directly impacts profile quality. Scott may overstate the credentials needed for this, but it's best left to those who do it regularly and have had a bit of training especially if the materials are difficult to ptint on.
>
> Recalibrating color that has drifted is a far more interesting subject, and there are various solutions. They fall roughly into three categories: pre-profile, reprofile, and post-profile.Typical "relinearize" routines are in the first category. They treat the unprofiled output of each color channel. The idea is that inkjet printers drift in only one way: printheads deliver more or less color in each channel; correct the individual color channels back to a baseline and all colors will fall into place--the profile will be revalidated. IN some cases, the ink limits are readjusted as well. This is sometimes called a 2-D correction, as it does not directly treat the aggregate result. The shortcoming is that it isn't accurate enough to correct slight CMY gray balance variations that can still be objectionable. It works well enough for larger corrections. A variation on this is a 3D approach that also predicts the resulting CMY gray balance of the suggested channel adjustments. Onyx appears to have implemented this approach, which is well established in the offset press world (Curve3, Bodoni PressSign, Alwan Print standardizer, et al).
>
> The reprofiling approach is self-explanatory. It should be noted that if solid ink values have dropped below an acceptable level because of clogged heads or other issues this must first be addressed as the new profile cannot correct this. Reprofiling is time-consuming and not generally used in the heat of production.
>
> Finally, there are the recalibrations based on measurement and correction of profiled output, another "3D" approach. These can be in the form of a Lab correction LUT inserted before the output profile or a device link. This is a lot like reprofiling but can preserve the precision of the original profile and gently nudge all the data points with smooth curves. Very small charts may be used, so this approach can be used in the midst of a job. I personally favor this approach for inkjet printing. It is highly accurate and fast.
>
> Mike Strickler
> MSP Graphic Services
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