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Re: Does MF color slides scanning in 24 bit still make sense
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Re: Does MF color slides scanning in 24 bit still make sense


  • Subject: Re: Does MF color slides scanning in 24 bit still make sense
  • From: MARK SEGAL <email@hidden>
  • Date: Thu, 21 Jan 2016 14:07:20 +0000 (UTC)

The visibility or accentuation of grain depends on the kind of lighting set-up used to make the capture. Think diffusion versus condenser enlargers of the film era and you'll have a good enough feel for the basics.
 Mark


      From: John Castronovo <email@hidden>
 To: Ernst Dinkla <email@hidden>
Cc: 'colorsync-users?lists.apple.com' List <email@hidden>
 Sent: Thursday, January 21, 2016 1:40 AM
 Subject: Re: Does MF color slides scanning in 24 bit still make sense

I've always found that drum scans of color negative films show a lot more
grain than a direct chromogenic print made from the same neg. I usually
soften the grain through independent channel by channel noise reduction, but
I'm curious to know how others deal with it. I"m not sure how a DSLR sees
color negs, so I'm leaving the subject line as is for the moment.

john castronovo

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 >Re: Does MF color slides scanning in 24 bit still make sense (From: John Castronovo <email@hidden>)

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