Re: colorsync-users digest, Vol 3 #894 - 9 msgs
Re: colorsync-users digest, Vol 3 #894 - 9 msgs
- Subject: Re: colorsync-users digest, Vol 3 #894 - 9 msgs
- From: Bruce Kennedy <email@hidden>
- Date: Wed, 20 Aug 2003 10:25:49 -0400
on 7/12/03 1:00 AM, email@hidden at
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Today's Topics:
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1. Re: Re-i1 Display concerns. (email@hidden)
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2. Simulated matchprint (Scott Johnson)
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3. Re: Simulated matchprint (neil snape)
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4. Best color space for film recorders? (Richard Kenward)
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5. pre-proofing paper choices: best practices (Christopher Bain)
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6. Re: Best color space for film recorders? (Chris Protopapas)
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7. Fw: Best color space for film recorders? (john c.)
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8. Fw: Best color space for film recorders? (john c.)
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9. Re: Best color space for film recorders? (john c.)
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Message: 1
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Date: Fri, 11 Jul 2003 10:29:12 +0200 (CEST)
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Subject: Re: Re-i1 Display concerns.
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From: <email@hidden>
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To: <email@hidden>
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Cc: <email@hidden>
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>> Michael Lithgow from Colourhead wrote...
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>
> I feel my tests have for the most part eliminated the colorimeter as the
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> cause of the problem despite my initial belief being that this was
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> probably the culprit. I still think I may have something with my
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> thoughts on the light being over restricted to the sensor and this may
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> well be why the colorimeter is so much slower than the spectro. The
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> jumpy pointers would also point to this and there is still the question
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> of the difference in requested RGB gun adjustment between spectro and
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> i1Display colorimeter. I did not realise until yesterday that the i1
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> Display colorimeter was supported in ProfileMaker, if I had known this I
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> would have tested this combination much earlier.
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I just knew that finally we would be talking about the same thing. A
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problem with the brithness readings, jumping pointers, and a device
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disagreement about where to put the RGB guns. In particular, with the
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guns, if one device leaves the three equal, and the second device tells
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you that you have to increase the green considerably, it would be very
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difficult (theoretically) to achieve the same results with the two. Glad
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to ehar that you have been able to identify this as only a software
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problem.
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>
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> I received an e-mail off list that
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> suggested that Gretag are currently working on improvements for i1Match
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> and have a "fix" ...
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>
I guess this means that I do not suffer from delusions. I guess the fix
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will be localized - only for those afflicted parts of the globe. By the
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way, do you calibrate TFT's?
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Regards.
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Darrian Young
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MGV
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Message: 2
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Date: Fri, 11 Jul 2003 10:23:21 -0500
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Subject: Simulated matchprint
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From: Scott Johnson <email@hidden>
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To: email@hidden
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Can anyone tell me what the best way to simulate a matchprint on a
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fuji pictography 4000 and how good is the match to an original?
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Scott Johnson
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Hawks Photography Inc.
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1918 E. 11th Street
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Tulsa, Ok. 74104
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918-584-3351
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hawksphotography.com
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Message: 3
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Date: Fri, 11 Jul 2003 17:32:30 +0200
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Subject: Re: Simulated matchprint
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From: neil snape <email@hidden>
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To: Scott Johnson <email@hidden>,
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<email@hidden>
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on 11/07/2003 17:23, Scott Johnson at email@hidden wrote:
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> Can anyone tell me what the best way to simulate a matchprint on a
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> fuji pictography 4000 and how good is the match to an original?
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>
Sure, a custom profile will do just fine. You'll need to consider that the
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white point of the Fuji paper though is blue-grey and not more than 91L so
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don't count on light tone simulations.
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In Photoshop set your proofing simulation to a Matchprint or other CMYK
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press profile, use the print options to select your source profile, then
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destination and use proofing of the proofing preview profile.
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Oh don't use BPC otherwise the blacks will be way too rich.
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Neil Snape
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Message: 4
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Date: Fri, 11 Jul 2003 18:17:04 +0100
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To: email@hidden
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From: Richard Kenward <email@hidden>
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Subject: Best color space for film recorders?
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In message Thu, 10 Jul 2003, Eric Bullock writes
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> I'm faced with the task of prepping some files for output on a film
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> recorder. The existing files are CMYK and I was wondering if there was
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> an ideal space to convert them to for this purpose. Obviously a wide
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> space won't invent colors that aren't there, but is one more
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> appropriate than another?
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Dear Eric
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>
My understanding is that you can get away with more
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unsharp mask than a similar file for made for print.
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Cheers
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>
Richard
Great!
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