• Open Menu Close Menu
  • Apple
  • Shopping Bag
  • Apple
  • Mac
  • iPad
  • iPhone
  • Watch
  • TV
  • Music
  • Support
  • Search apple.com
  • Shopping Bag

Lists

Open Menu Close Menu
  • Terms and Conditions
  • Lists hosted on this site
  • Email the Postmaster
  • Tips for posting to public mailing lists
Re: CMYK vs RGB with pantone colours
[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

Re: CMYK vs RGB with pantone colours


  • Subject: Re: CMYK vs RGB with pantone colours
  • From: Chris Murphy <email@hidden>
  • Date: Mon, 3 Feb 2003 10:59:00 -0700

Pete Carter wrote:
I just got to thinking that a lot of our proofs have client defined spot
colour content alongside scans and logos that are all included in a final
output via Quark. Everything is outputted from Quark as CMYK to our Epson
5000 via Fiery RIP....that9s another story altogether!... I wondered if
there was a system anywhere that customizes the workflow so that the spot
colours go out as RGB separately from the rest of the CMYK content. Would
this be any advantage given the larger colour space of RGB being able to
represent the pantone spot colours more accurately?

Probably yes. If you are using the Fiery's ability to simulate a press condition (or contract proofer), all CMYK content you send it is assumed to be "press CMYK" and the simulation profile you have set applies as the source profile for everything that is CMYK including Pantone colors (which have only CMYK equivalents associated with the Pantone reference, produced by the printing application and its Pantone libraries). However, Fiery RIPs have a spot color option (I forget the exact wording), which will use the RIPs built in tables to convert Pantone colors into the specific values needed by the printer to print them. These tables are sometimes OK, sometimes not OK. I've usually found the recent products to be fairly acceptable, anything much older doesn't seem to work well. Either they weren't made correctly to begin with, or the device behavior (media/inks, etc.) have drifted since the time the tables were originally built.

The problem is, how do you get something like QuarkXPress to output only Pantone equivalents as RGB? You'd need something like Compass Pro XT to change the document prior to PostScript being generated. Or iQueue to change just the Pantone references in the PostScript file after it's produced from QuarkXPress. But make sure you turn off the Fiery RIP's spot color handling or it will still use its tables instead of the custom RGB values you've provided.

Chris Murphy
Color Remedies (TM)
www.colorremedies.com/realworldcolor
---------------------------------------------------------
Co-author "Real World Color Management"
Published by PeachPit Press (ISBN 0201773406)
_______________________________________________
colorsync-users mailing list | email@hidden
Help/Unsubscribe/Archives: http://www.lists.apple.com/mailman/listinfo/colorsync-users
Do not post admin requests to the list. They will be ignored.

  • Prev by Date: Re: Building a SWOP profile
  • Next by Date: RE: Dry Time for UltraChrome inks/Calibration
  • Previous by thread: Re: CMYK vs RGB with pantone colours
  • Next by thread: Re: Digital Camera Profiling
  • Index(es):
    • Date
    • Thread