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Profiling Digital Cameras
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Profiling Digital Cameras


  • Subject: Profiling Digital Cameras
  • From: Jan-Peter Homann <email@hidden>
  • Date: Tue, 25 Feb 2003 12:47:58 +0000

Hi List
There were a lot of good postings in the list about this theme. I wan4t to share my view with the community.
Working with digital cameras and Photoshop, the goal of every input solution has to be a good conversion from the RAW-Data of the camera to the actual RGB-Workingspace. This can be done with:
- The original camera plugin
- Third party products like Camera RAW
- An ICC-Transformation from an individual input-profile to the actual working space.

The best solution is the one, which gives the best results in the eyes of the user.

As Digital photography is technical much more complex as scanning, color management solutions adressing this market must have different technical concepts.
At least it must be an integrated solution with image-analysis and -optimization of the RAW-Data. A 100% ICC-solution would need an individual profile for every lightning situation. This is gerenal not possible, but it works in special situations like digital catalog photography with same lightning and objects of similar size.
(problems are still there when the photographed objects have heavy optical brightners, but such objects offen causes problems also in traditional photography...)

For other purposes, we need a integrated solution with some kind of generic characterization of the camera, image-optimization and colormanagement-link to the RGB-workingspace of Photoshop.
Camera RAW seems be very near to such kind of solution. What I would like would be some kind of Camera RAW Developer Kit for the generic characterization of a camera. Knowing the limitations of actual workflows for camera profiling, such developer-Kit should at least cost 3000$ This is a price which only professional photographers and color management consultants would pay and which would be adequate to the support Adobe has to give.
But when it helps to make definitely better solutions for the users of digital cameras, I as a colormanagement consultant would pay 3000$ for such solution instead of 1000$ for a classical profiling solution for digital cameras.

:-) Jan-Peter Homann

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