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Re: ICC Profile location for PS RAW
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Re: ICC Profile location for PS RAW


  • Subject: Re: ICC Profile location for PS RAW
  • From: bruce fraser <email@hidden>
  • Date: Tue, 4 Nov 2003 09:24:48 -0800

ACR isn't just about getting pretty color, although you can certainly use it that way. On the cameras I've used, if I set a custom white balance, ACR defaults to that white balance and pretty much nails those colors that are nailable.

Some colors can't be nailed by a profile simply because the CCD doesn't record the same color our eyes do-various blue flowers come to mind. Such camera metamerism is only addressable by editing.

If you have the luxury of being able to set a manual white balance for every shot, you may get better results with a single custom profile than you do from Camera Raw, in which case you should do what works best most of the time. But that's not something I've been fortunate enough to experience.

With film, I used to spend hours editing a single image. With Camera Raw, I'll typically spend about 90 seconds editing one image, then I simply apply those same settings to all the other images shot under similar conditions. (The edits are usually small tweaks to exposure, not to color.) Your milage may vary, but I can only report my experience.

I haven't tried ColorEyes 20/20. I'm hoping to get an NFR or a demo out of them when I update Real World Color Management, because it's the only camera profiler about which I've heard anything positive. I can say that using Monaco PROFILER or Gretag ProfileMaker Pro to build camera profiles has been a waste of time and effort-the results simply don't save me any time.

That's simply my experience. I have some theories on why my experience is what it is, but the experience came before the theories rather than the other way around...
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  • Follow-Ups:
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      • From: "Derrick L. Brown" <email@hidden>
References: 
 >Re: ICC Profile location for PS RAW (From: Andrew Rodney <email@hidden>)

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