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Re: Remote proofing
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Re: Remote proofing


  • Subject: Re: Remote proofing
  • From: bruce fraser <email@hidden>
  • Date: Sat, 13 Mar 2004 11:29:46 -0800

At 6:30 AM +0100 3/13/04, Henrik Holmegaard wrote:
On torsdag, mar 11, 2004, at 22:43 Europe/Copenhagen, bruce fraser wrote:

There's also the question of how to handle sharpening in a late-binding workflow. The sharpening that works nicely for a 175-lpi halftone won't work all that well on newsprint. Hell, the image resolution that will work well for a 175-lpi halftone is massive overkill for newsprint.

This is correct, but again the valid approach is to agitate for it rather than to write off late binding because there is no current solution, as discussed.

My purpose in pointing out the current limitations of late binding is get them fixed, not to write off the idea. It's a great idea. It would be an even better idea if it could be made to work at least as well as early binding. Right now, it doesn't, for all the reasons I've mentioned.

A shoe catalog that contains images of a mahogany-colored loafer and a white tennis shoe simply will not be well-served by using a single KGen, no matter what the photographer does. That does not necessarily mean that we have to develop an architecture where each element in the page layout app can be mapped to a different output profile. For example, Adobe Camera Raw has produced the ingenious solution of using two profiles for each supported camera, and controls that tween between them. We could do the same thing on output for KGen, tweening between a light and a max K.

I'm entirely open to solutions. I'm not prepared to dismiss the real problems as either imaginary or irrelevant.
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  • Follow-Ups:
    • Re: Remote proofing
      • From: Roger Breton <email@hidden>
References: 
 >Re: Remote proofing (From: Henrik Holmegaard <email@hidden>)

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