• Open Menu Close Menu
  • Apple
  • Shopping Bag
  • Apple
  • Mac
  • iPad
  • iPhone
  • Watch
  • TV
  • Music
  • Support
  • Search apple.com
  • Shopping Bag

Lists

Open Menu Close Menu
  • Terms and Conditions
  • Lists hosted on this site
  • Email the Postmaster
  • Tips for posting to public mailing lists
Re: FWA and UV-cut
[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

Re: FWA and UV-cut


  • Subject: Re: FWA and UV-cut
  • From: Karl Koch <email@hidden>
  • Date: Sun, 10 Sep 2006 19:46:25 +0200

Am 10.09.2006 um 15:15 schrieb Graeme Gill:


In other words, you will have much better results if your viewing environment has the SAME level of UV as the instrument´s lamp. Ideally the same amount as defined in the D50 spectral curve.

One of the problems is that many so called "D50" viewing illuminants don't actually have the same UV to visible light balance as a real D50 spectrum. They may have a D50 white point, but the UV component is often overlooked, and in fact, is missing.

That´s why a well known manufacturer is developing a box with a UV fluorescent lamp in addition to the "D50" lamps. The box I saw has 2 dimmers, but in the light of the other development with computer controlled brightness in a normal viewing booth, one could get ideas ;-)


Karl Koch


_______________________________________________ Do not post admin requests to the list. They will be ignored. Colorsync-users mailing list (email@hidden) Help/Unsubscribe/Update your Subscription: This email sent to email@hidden
  • Follow-Ups:
    • Re: FWA and UV-cut
      • From: Roger Breton <email@hidden>
References: 
 >Re: MonacoPROFILER and UV (From: Roger Breton <email@hidden>)
 >FWA and UV-cut (From: Karl Koch <email@hidden>)
 >Re: FWA and UV-cut (From: Graeme Gill <email@hidden>)

  • Prev by Date: Re: MonacoPROFILER and UV
  • Next by Date: Re: FWA and UV-cut
  • Previous by thread: Re: FWA and UV-cut
  • Next by thread: Re: FWA and UV-cut
  • Index(es):
    • Date
    • Thread