Vigilant color quality
Vigilant color quality
- Subject: Vigilant color quality
- From: Kevin Muldoon <email@hidden>
- Date: Tue, 16 Oct 2007 15:39:18 -0400
I believe most fine art printers would say the entire goal of fine
art printing is to replicate the original as close as technologically
possible, and that includes the digital file. Skilled fine art
printers are able to maintain a color consistency that lithographic
presses could only envy. The use of color targets together with
spectrophotometery is essential to consistency, not to mention the
human eye.
When color drifts it's either because a few nozzels dropped out, a
dramatic change in humidity, the ink went past shelf life or coating
issues of paper. Correcting physical issues or reprofiling is the fix.
On Oct 16, 2007, at 3:04 PM, email@hidden
wrote:
The situation for "fine-art" printing involves somewhat somewhat
different assumptions. First, the fine art print is really the
primary image, not an attempt to exactly replicate the film or
digital original.
--
Kevin Muldoon, Owner
TrueBlueDot - Fine Art Printing
New Haven, CT 06511
email@hidden
www.truebluedot.com
"Our pigment meets your imagination"
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