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Re: Reading textile samples
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Re: Reading textile samples


  • Subject: Re: Reading textile samples
  • From: Claas Bickeböller <email@hidden>
  • Date: Wed, 09 Mar 2016 18:10:21 +0100

Dear Lorenzo,

I totally agree with Garth.
An instrument with a 45°:0° geometry is not the best way to measure textile samples for the reasons he mentioned.


——Disclaimer—

I’m working for Konica Minolta and we are developing color management solutions

——Disclaimer end—

We, our partners and also our customers get very good results when they do the profiling using our d:8° instrument CM-2600d automated on an xy-stage.
„Very good“ for our customers means:
a) Large color gamut
b) Smooth gradations in separations
c) Very low dEs when they reproduce a reference (such as a textile preproduction or a sample like a color fan)
d) Very good correlation between measured dEs and visual perception -> They easily get a visual match between their print and the color fan for example
e) They can simulate the color output of their textile printer using a regular inkjet proofing system

So should you use the tools you have be aware that maybe you spend more money for materials for trial&error and reprints than you would for a solution that works right from the start.

Should you want to have more details feel free to contact me off-list.

Best regards

Claas


> Am 09.03.2016 um 17:53 schrieb Lorenzo Ridolfi <email@hidden>:
>
> Thank you! The exact fabric is not chosen yet. Do you have any recommendation?
>
> Besides the color fidelity, the only other requirement is that the fabric must roll and unroll easily.
>
> Best Regards,
> Lorenzo
>
>> On Mar 9, 2016, at 13:46, Garth Fletcher <email@hidden> wrote:
>>
>> Lorenzo Ridolfi wrote:
>>
>> What differentiates textiles from most other media is their strong
>> surface texture.  The incident angle of the illumination can have a
>> strong effect on the reading. For example, 45° illumination creates
>> shadow areas behind each raised fiber which will be "seen" by a 0°
>> sensor.
>>
>> Diffuse illumination may be useful to alleviate that problem.
>
>
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References: 
 >re: Reading textile samples (From: Garth Fletcher <email@hidden>)
 >Re: Reading textile samples (From: Lorenzo Ridolfi <email@hidden>)

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