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RIP's for Photographers
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RIP's for Photographers


  • Subject: RIP's for Photographers
  • From: Jay Kinghorn <email@hidden>
  • Date: Mon, 13 Oct 2003 10:56:57 -0600

I have been reading the recent discussions of RIPs for photographers with much interest. My primary business is teaching Photoshop and "digital imaging" to photographers. Recently, my company and ASMP Colorado completed an online survey of Colorado Photographers to assess the adoption of digital imaging tools into their workflow and survey their attitudes towards the new technology. Among Colorado members, 35% of all images submitted to clients is still film. From a photographer's point of view, expecting the image creator to provide properly separated CMYK PDF's at the current fee structure is a recipe for bankruptcy. To be sure, some photographers will be savvy enough to learn how to deliver excellent separations and get paid for their time and energy. For the majority of photographers this lies outside the bounds of what they consider their job description. My survey indicates that photographers are already frustrated by the amount of time they spend at the computer preparing RGB files for client delivery. I would not expect an enthusiastic reception from photographers asked to provide press ready files.

There is a need for quality RIPs for fine-art, wedding and portrait photographers who need to produce prints with neutral grayscale behavior, or need to produce volumes of prints. Automatic nesting features, like ImagePrint's AutoPrint, are an efficiency booster. In stepping down from my soapbox, I would conclude that photographers and printers need to sit down for a candid dialog of exactly what is expected of each participant in the image production process. Who is liable for color inaccuracies? Who needs to provide the proofs? Who does the separations? Clearly delineating job responsibilities would make everyone's lives easier.

Jay Kinghorn


RGB Imaging
EvolveCreateThrive
www.prorgb.com
303-474-4577
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