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Re: Paint color for copy room
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Re: Paint color for copy room


  • Subject: Re: Paint color for copy room
  • From: bruce fraser <email@hidden>
  • Date: Wed, 21 Sep 2005 12:15:13 -0700

At 2:34 PM -0400 9/21/05, Ken Fleisher wrote:
I did go to RIT (BFA in Commercial Photography 1989) and I AM going to RIT (current student for MS Color Science, I'm in the second year). I still think black is the way to go. You would never use a white studio for copy work. As someone who has done a fair amount of catalog work, I will "weigh in on this." Black is best (and copy work does not necessarily have the same demands as catalog work anyhow). Neutral gray walls are not necessary for evaluating the image on the monitor, as the room will be fairly dark anyhow. Black is the best way to go for reproducing artwork.

I agree with Ken-black is the way to go. At the National Gallery of Art, all the copy studios are black, and they're getting very good results. As windowless rooms go, it's not a particularly unpleasant environment, and it's easy to control the lighting (both capture and viewing light).
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References: 
 >Paint color for copy room (From: Douglas Rhiner <email@hidden>)
 >Re: Paint color for copy room (From: "Richard Frederickson [Contr]" <email@hidden>)
 >Re: Paint color for copy room (From: Ken Fleisher <email@hidden>)
 >Re: Paint color for copy room (From: "Richard Frederickson [Contr]" <email@hidden>)
 >Re: Paint color for copy room (From: Ken Fleisher <email@hidden>)

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