Re: difference hp Z2100 and Z3100- now PL fo B&W
Re: difference hp Z2100 and Z3100- now PL fo B&W
- Subject: Re: difference hp Z2100 and Z3100- now PL fo B&W
- From: Marco Ugolini <email@hidden>
- Date: Tue, 20 Mar 2007 10:48:11 -0700 (GMT-07:00)
In a message dated Mar 20, 2007 5:20 AM, Jorge “gariba” Batista wrote:
>Marco,
>please, let me ask : what would be the papers for this use, in your
>opinion?
>On Mar 20, 2007, at 1:48 AM, Marco Ugolini wrote:
>
>> though not for museum or
>> high-quality gallery exhibits.
Let's see some examples:
Although I'm not sure which other papers he uses, Stephen Johnson uses some Hahnemuhle products.
Greg Gorman uses Epson Somerset Velvet for his B&W work.
Also, there are surfaces that are matte, textured, satin, glossy, high-gloss, etc., and supports that are thin or thicker. Some papers have better archival properties than others. Some will accept pigments and dyes, others only dies or pigments.
And so on. The choices are many, and I don't have the necessary direct knowledge to express an opinion as to which I would consider the best one even for myself, at this point. I would need to do much more research than I have done so far.
As you can see, determining which of these many options is right for you is hard to do from a distance.
Marco Ugolini
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