Re: Proof Colors in Photoshop
Re: Proof Colors in Photoshop
- Subject: Re: Proof Colors in Photoshop
- From: Spinnaker Photo Imaging Center <email@hidden>
- Date: Fri, 02 Aug 2013 13:07:37 -0700
Mark, Andrew, just wondering if RAW, not DNG, is usable in the future, for wider gamut printers and monitors.
Cheers
David B Miller, Pharm. D.
member
Millers' Photography L.L.C.
dba Spinnaker Photo Imaging Center
Bellingham, WA
www.spinnakerphotoimagingcenter.com
360 739 2826
On Aug 2, 2013, at 9:21 AM, Mark Stegman <email@hidden> wrote:
> Andrew,
>
> I have followed this forum for many years and learned many things and a lot of them from you. It disappoints me that i am not in your camp this time. I will watch your videos later as it is very late here and you are keeping me up with this stimulating exchange but before I say good night...
>
> I have no problem with archiving images in whatever colour space one desires but I do have a problem working with colours I cannot 'see'. This is inherently difficult to grasp.
>
> In your earlier post you referred to the limitation of 3d matrix conversions and the need for 'headroom' ( for want of a better word) when getting the (square?)' peg into the (round) hole. Converting colour in other words. These technical allowances I can accept as this can be a devilish process. However, when you advise to back off on the sliders in your Raw converter to be safe when adjusting vibrance and saturation it starts to sound a little shaky because here we talking visually.
>
> When your saturated colours are hitting the ceiling and even going beyond the gamut of your monitor what is happening to those colours still within it? Are they changing too? Are they being render on screen colorimetrically or perceptually? How do you know they are appearing as they are suppose to or as you intend them to if some of the numbers are 'off the scale' outside the gamut of the monitor). How far out are they? Do you see what I am getting at?
>
> Mark
>
>
>
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