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  • Re: ColorEyes Display software, Ian Lyons
    • Re: ColorEyes Display software, Derrick Brown
    • Re: ColorEyes Display software, Roger Breton
    • <Possible follow-ups>
    • Re: ColorEyes Display software, Marco Ugolini
    • Re: ColorEyes Display software, Eric G Bullock
      • On the new crop of LCD monitors, Marco Ugolini
    • ColorEyes Display software, Rich Apollo
      • ColorEyes Camera and profiling for digital, Michael Harvey
        • Re: ColorEyes Camera and profiling for digital, Jon Meyer
  • Re: uniform color on monitor, Anton Marc
  • Question about the Quato Intelli Proof 21 monitor, Sören
  • Page layout color management, faro mojahedi
    • Re: Page layout color management, Roger Breton
    • <Possible follow-ups>
    • Re: Page layout color management, CDTobie
  • DDC and DVI, Marco Ugolini
  • Re: Colorsync-users Digest, Vol 2, Issue 1, Karl Koch
  • printing to cloth, Don Mirra
    • <Possible follow-ups>
    • RE: printing to cloth, Steve Lawrence
  • iphoto colormanaged?, Peter Baumbach
    • Re: iphoto colormanaged?, John Gnaegy
      • Re: iphoto colormanaged?, Chris Murphy
        • Re: iphoto colormanaged?, John Gnaegy
      • Re: iphoto colormanaged?, Roger Howard
    • <Possible follow-ups>
    • Re: iphoto colormanaged?, Peter Baumbach
  • Spectrolino 8mm Aperture, Steven Kornreich
    • <Possible follow-ups>
    • RE: Spectrolino 8mm Aperture, Abe Hayhurst
      • Re: Spectrolino 8mm Aperture, Glenn Huish
    • Re: Spectrolino 8mm Aperture, Eric G Bullock
  • Colorimeter vs. Spectro, Marc Levine
    • Re: Colorimeter vs. Spectro, Roger Breton
      • Re: Colorimeter vs. Spectro, Marc Levine
    • Re: Colorimeter vs. Spectro, Ray Maxwell
    • <Possible follow-ups>
    • RE: Colorimeter vs. Spectro, Armand Rosenberg
    • RE: Colorimeter vs. Spectro, Marc Levine
      • Re: Colorimeter vs. Spectro, Roger Breton
        • Re: Colorimeter vs. Spectro, Armand Rosenberg
      • RE: Colorimeter vs. Spectro, Armand Rosenberg
      • RE: Colorimeter vs. Spectro, Bertho
      • Re: Colorimeter vs. Spectro, Graeme Gill
    • Re: Colorimeter vs. Spectro, Marc Levine
      • Re: Colorimeter vs. Spectro, Roger Breton
    • RE: Colorimeter vs. Spectro, Armand Rosenberg
  • Controlling the video signals, Marco Ugolini
  • Photoshop and LUT Profiles, Marco Ugolini
    • Re: Photoshop and LUT Profiles, Roger Breton
    • Re: Photoshop and LUT Profiles, Peter Karp
  • Re: Colorsync-users Digest, Vol 2, Issue 2, Rich Apollo
    • Illustrator, Rich Apollo
      • Re: Illustrator, Jim Rich
        • Re: Illustrator, Roger Breton
  • (no subject), Jeffrey Stevensen
    • <Possible follow-ups>
    • (no subject), Ross Peterson
      • Re: preview/photoshop, John Gnaegy
      • Re: preview/photoshop, John Gnaegy
  • 5000K light booth trouble, Nick Virgilio
    • Re: 5000K light booth trouble, Roger Breton
  • RE: Colorsync-users Digest, Vol 2, Issue 3, Abe Hayhurst
    • RE: Colorsync-users Digest, Vol 2, Issue 3, Steve Upton
    • <Possible follow-ups>
    • RE: Colorsync-users Digest, Vol 2, Issue 3, Brant Andreas
      • Re: Colorimeter vs. Spectro, Ray Cheydleur
  • Re: ColorEyes Camera and profiling for digital, Mark Buckner
  • Statehood for Area 51?, Ed Gerson
    • Re: Statehood for Area 51?, Steve Upton
  • Best gamut ink for fine art giclee, Lee Blevins
    • Re: Best gamut ink for fine art giclee, Ray Maxwell
    • Re: Best gamut ink for fine art giclee, Roger Breton
      • Re: Best gamut ink for fine art giclee, Glenn Huish
        • Re: Best gamut ink for fine art giclee, Stefan Ohlsson
          • Re: Best gamut ink for fine art giclee, Daniel S. Westcott
            • Re: Best gamut ink for fine art giclee, Stefan Ohlsson
              • Re: Best gamut ink for fine art giclee, Daniel S. Westcott
          • Re: Best gamut ink for fine art giclee, Glenn Huish
    • <Possible follow-ups>
    • Best gamut ink for fine art giclee, Dave Leach
      • RE: Best gamut ink for fine art giclee, Richard
      • Re: Best gamut ink for fine art giclee, shinnecock
        • Re: Best gamut ink for fine art giclee, David Scharf
          • Re: Best gamut ink for fine art giclee, Ernst Dinkla
    • RE: Best gamut ink for fine art giclee, Dave Leach
      • Re: Best gamut ink for fine art giclee, John Massman
  • Re: PrintOpen 5.1 question, Neil Barstow
    • Re: PrintOpen 5.1 question, Roger Breton
  • L-Star and other ColorEyes Display features, Marco Ugolini
  • L*a*b* Converted to Density, John Nate
    • Re: L*a*b* Converted to Density, Robin Myers
    • Re: L*a*b* Converted to Density, Dan Reid
    • <Possible follow-ups>
    • Re: L*a*b* Converted to Density, Mike Eddington
      • RE: L*a*b* Converted to Density, Mike Eddington
    • RE: L*a*b* Converted to Density, Steve Lawrence
      • Re: L*a*b* Converted to Density, Roger Breton
  • Illustrator, Rich Apollo
    • Re: Illustrator, Roger Breton
    • <Possible follow-ups>
    • Illustrator, faro mojahedi
      • Re: Illustrator, Roger Breton
      • Re: Illustrator, Roger Breton
  • Re: How to get pure black shadows in RGB workflow, Steve Lawrence
  • Re: sRGB, sCMYK, and RGM PCS, Paul Sherfield
    • Re: sRGB, sCMYK, and RGM PCS, neil_snape
    • Re: sRGB, sCMYK, and RGM PCS, Roger Breton
      • Re: sRGB, sCMYK, and RGM PCS, neil_snape
    • <Possible follow-ups>
    • Re: sRGB, sCMYK, and RGM PCS, Harold Boll